When Hamlet, in his famous soliloquy, pondered the "dread of something after death, / the undiscovered country," he noted that such thoughts "puzzles the will." (Earlier editions of the play had this as a "hope of something after death" that "puzzles the brain." What's the significance for an Eli...
When Hamlet, in his famous soliloquy, pondered the "dread of something after death, / the undiscovered country," he noted that such thoughts "puzzles the will." (Earlier editions of the play had this as a "hope of something after death" that "puzzles the brain." What's the significance for an Elizabethan writer (and audience) of the change from hope to dread? And from brain to will? In this episode, Jacke talks to Douglas Clark (The Will in English Renaissance Drama) about the moments of willing and will-making in English Renaissance drama, and how those moments play a crucial role in the depiction of selfhood, sin, sociality, and succession. PLUS Jacke takes a look at #7 on the list of the Greatest Books of All Time.
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The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com.
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