Ian McEwan’s latest novel, “What We Can Know,” is many things at once: It’s a science fiction imagining of a future world devastated by climate catastrophe; it’s a literary mystery about a scholar’s search for a long-lost poem; it’s a deep dive into complicated marriages; and it’s a meditation on...
Ian McEwan’s latest novel, “What We Can Know,” is many things at once: It’s a science fiction imagining of a future world devastated by climate catastrophe; it’s a literary mystery about a scholar’s search for a long-lost poem; it’s a deep dive into complicated marriages; and it’s a meditation on how the past lingers and how history morphs with time.
“It’s the best thing McEwan has written in ages,” our critic Dwight Garner wrote in his review. “It’s a sophisticated entertainment of a high order.”
In this episode of the Book Review Book Club, the host MJ Franklin discusses “What We Can Know” with his colleagues Sarah Lyall (who profiled McEwan for the Book Review this year) and Leah Greenblatt. You can follow along, and add your own comments to the discussion here.
Other Books mentioned in this discussion:
“Atonement,” “Saturday,” “On Chesil Beach,” “The Comfort of Strangers,” “The Cement Garden” and “Enduring Love,” by Ian McEwan
“Fleishman Is in Trouble,” by Taffy Brodesser-Akner
“Fates and Furies,” by Lauren Groff
“Marston Meadows: A Corona for Prue,” by John Fuller
“How the Word Is Passed,” by Clint Smith
“The Stranger’s Child,” “The Line of Beauty” and “Our Evenings,” by Alan Hollinghurst
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].
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