In this episode of Americana Podcast: The 51st State, host Robert Earl Keen sits down with one of the most quietly influential voices in American songwriting: James McMurtry.
For decades, McMurtry has carved out a singular space where songs are more than melodies. His writing is built on gritty character studies, moral landscapes, and moments of hard-won clarity—stories that feel lived in, observed, and unafraid to sit with complexity. From the early days of his debut album Too Long in the Wasteland to the lived-in wisdom of his most recent work, his catalog reads like a map of roads traveled and lives encountered along the way.
Born in Fort Worth, Texas, McMurtry spent much of his youth in Northern Virginia before finding his footing as a songwriter in Tucson, Arizona, studying English and Spanish while cutting his teeth in small rooms and local venues. After time spent traveling—including a period living in Alaska—he returned to Texas, working odd jobs, playing bars and open mics, and gradually forging a life as a working songwriter. For much of his adult life, he’s been based in Lockhart, just south of Austin, though his music has carried far beyond those borders.
In this conversation, Robert and James reflect on the long arc of a songwriting life—from early guitar lessons and teenage gigs to his first record, Too Long in the Wasteland, and through to his latest album, The Black Dog and the Wandering Boy. Along the way, they talk about craft, observation, patience, and what it means to tell the truth in song without flinching.
It’s an intimate, thoughtful look at an artist whose work doesn’t chase trends or spotlight—but endures, quietly and honestly, exactly where it belongs.
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