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- Joe Rogan, what are you guys checking out?
- The Joe, Rogan, experience.
- Showing my day, Joe Rogan podcast my night, all day.
(upbeat music)
- Well, what's happening, man?
- We're so close to meet you.
- Hey, it's great to meet you as well, Joe.
I really, really appreciate you taking me out here.
- Oh, my pleasure.
I've enjoyed your content for quite a while now, so.
- Well, I'll be interested to know when was it
that you first started getting interested
in what I was doing?
What kind of subject, what topic?
- I wish I remembered.
- 'Cause I know you followed me for a couple of years,
before the Caffer Pyramid scans and stuff,
like you know I'm into the UFO subject and things like that,
but I wasn't sure.
- Well, it's all the silly shit that I love.
(laughing)
- Silly and serious at the same time.
Ancient civilizations, mysteries, and obviously aliens.
- Oh yeah, and it's all cotangent.
It all connects together.
- I think so too.
We actually played a clip.
We did a podcast yesterday with Dr. Michael Masters.
- Love him, yeah, talking a couple times.
- Very fun, very smart guy, very interesting guy.
But we played, we were talking about the,
he has a theory that aliens are human beings in the future.
- Yeah.
- It's a very strange theory,
based on like kind of the anthropological view
and the physiology and how that might have happened over time.
- And there's also, what was the model?
There's the many worlds theory,
and then what was his model?
There's a different one that the concept is you could,
if you lived in the future, you could go back in time
and it would not affect the future,
'cause everything that's supposed to happen
has already happened.
- Right.
- And you were supposed to go back anyway.
- Interesting.
- Okay.
(laughing)
- I try to get my head, but anyway, during that time,
I asked him about the tried-acto mummies
and then we played your clip.
- Oh, okay.
- Yeah, we played the clip to show it all the scans.
We talked about Jesse Michaels and how he went down to Peru
and actually touched those things
and was there with them and how surreal it was.
- Yeah, I was in Peru recently, not to go
and see the Nazca mummies.
I wish I could have seen them.
I was out there to look at all the megalithic studies
and the excavations going on at Saxo Man,
which is an incredible megalithic site in Cusco.
But the Nazca mummies, I mean, what's interesting about it
is that obviously you're gonna have a big knee-jerk reaction
to something that's so incredibly profound
as the idea of these being non-human intelligences
that are mummified.
But when you actually look at the CT scans and the X-rays,
you start to realize that this can't be faked.
You can't fake bone cartilage.
You can't fake capillaries and heart valves
and a fetus inside the body.
- It's so nice.
- Dude, it's crazy.
Some of them have eggs inside them.
Some of them have fetuses.
- It looks like they're eggs are big.
- Big eggs like inside them.
- Yeah, and these are small beings.
- These ones are meant to be the little 60 centimeter beings
with three eggs inside them.
Then you've got the big one, Montserrat,
which has an actual fetus, a baby not in an egg.
So it's like, if these are all real,
it does feel like there was some genetic experimentation
and there was churning out prototypes for some form.
- Do you think that's it?
Or do you think that there used to be another type
of lack of a better word, primate?
- Well, the thing is, is that a primate?
I mean, what is that?
- I mean, some of them they're leaning more towards
like reptilian, anthropod kind of lineage.
So like the bigger ones seem to be more mammalian,
whereas the smaller ones with the eggs
are sharing reptilian traits.
So it's like there are all these different variations
with these different bodies,
different kind of like physiological characteristics,
which is why it's like, okay, well, is this one lineage
or is this just somewhat kind of like tweaking?
Well, that one failed, that one's not working.
This one grew wings, or I fucked that one off.
Like, you know, it's just weird.
- So your thought is that these are the products
of experiments.
- I mean, if you look at Jesse,
when Jesse Michaels did his documentary,
one thing he mentioned, I can't remember where he got this from,
but he was saying that the original translation
of the area of Nazca from the original language
was like the area of experiments and genetic cloning,
or it was like a really strange definition
for the actual area that kind of says experimentation
and genetic modification.
I can't remember the exact quote,
but this was something that he brought up in the documentary.
I was like, okay.
Then you have all of these various different examples.
- I asked you, yeah.
- Who said that?
Who called it that?
- So Jesse, when Jesse Michaels put out his documentary,
there was just a scene in it.
Now, my memory is failing me a little bit,
but there's a scene in it where he was talking about
the Nazca region.
And he said that the original in the original language,
this translates roughly to the area of experimentation
and genetics of some form.
- But how do they know what they're doing?
- I agree, I agree.
But it's just a weird little caveat
that he brought up in the documentary.
I'm not quite, he'd probably be rolling his eyes
me now, like, dude, I actually fucking know exactly
what this is like.
- Make you look like an idiot.
- He's a butcher in it.
- Yeah, I'm a butcher in it, but no.
- I'll do that all the time.
- Sure, but just the fact that these things exist
and they exist in an area of the world,
which is full of mystery.
I mean, the megalithic sites around me.
Like I said, that's what I was out there
for to see these different megalithic sites
and the Nazca lines and, you know,
Saksawaman and in the Sacred Valley,
you just have like, incredibly complex architecture.
You know, Rose called Granite, Diorite and a site,
these incredibly hard stones like in Egypt,
but honestly, I find Peru even more baffling
than Egypt with the architecture
because of just the level of interlocking precision
that you see and the fact that it looks
like they've softened the stone in Saksawaman.
It looks like marshmallows, like all squished together.
And it just invokes a lot of different theories
from people about how they were actually
manipulating the stone.
- Yeah, because it doesn't seem like it was just carved.
- No. - Right?
Like, it does seem like there's some areas
where chunks have been removed from, you know,
the quarries, but when they're all pieced together,
when you see those weird, like, curvatures to it,
it's like, what do you guys do?
And perfect precision.
- Perfect precision.
And like, sometimes you'll see like these corners
where just a tiny bit of stone is jutting up
and then the other two are connecting into it.
It's like, this is such a ridiculous level of complexity
for an apparent 600 year ago Bronze Age, Bronze Chisels
and Stone Hammer Tool wielding civilization.
And also in Peru is what I find very interesting
is you've got a brilliant visual contrast to use
when you look at what is the Inca work,
which is the rough cut stone, the mortar brick using walls,
like this is all present in Peru next to the megalithic sites.
And the mainstream will attribute all of this
to the Inca of 600 years ago,
but you'll see that the stone walls at a rough cart
and use cement and mortar, they're still standing,
they're pretty pristine, they're looking good.
Next to megalithic multi-toned slabs of granite
that are broken to pieces and strewn across the hillside.
So it just looks like there was a lot of desolation,
potentially geological trauma in this area
and then these people, the Inca, discovered these sites,
built around them.
You can see in the cracks and corners of all these megaliths
that there's stone walls that they've tried to reinforce,
it's very visually obvious actually
when you go out to these places.
- Isn't it fascinating that people aren't willing
to consider the possibility that this is from an older time,
like it's heresy?
- It's just such a knee-jerk reaction, man.
Like I think at the end of the day,
we're still using models from like 1800s explorers, right?
And it's like what the fuck, like we've moved forward.
There's a lot of contradicting evidence and data
in a lot of these countries,
whether it be, you know, Gobekli Tepe in Turkey
or the potential infrastructure below the Giza Plateau,
and then the incredible megaliths in Peru,
like Saxiwoman, it just feels like what we're doing
is rehashing the same status quo orthodoxy
and it's coming up against ever-piling higher mountain
of evidence.
And one of the cool things that I got to do out in Peru
was go to Saxiwoman where they've got current archaeological digs
going on through the Chinkana project,
which is an archaeological team out there
and they're doing digs.
And they have actually discovered below,
like 10 meters down into the ground,
precision carved blocks of stone
that are coming out of the earth.
And this is where in this region, in Cusco,
the Andean legends are that there is a vast labyrinth
below ground connecting Cusco to Saxiwoman,
connecting Saxiwoman to the Sacred Valley,
all spreading out across the Andean mountain range.
And this is like an old legend.
This is what the shaman's and the sacred keepers
of knowledge would say in Peru.
We're finding evidence for it.
We're literally going underground now and seeing
that there are actually really precise elements
of infrastructure below Saxiwoman.
And they're just beginning to uncover this.
It was one of the first to go down there
and actually see these blocks myself.
And it's just like, this is happening now.
You know, we're actually getting to a place
where we can start to validate some of these forgotten myths
and folklore or if you want to call them conspiracies
or pseudoscience from the archaeological side of things.
It's being...
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Providence now.
That's mad.
So these tunnels and, like, what is exactly this structure
that's supposed to be down there and what have they discovered?
So it's supposed to be called the chinkana, the labyrinth.
And there's a few different chinkana entrances
around the region.
How big is it supposed to be?
Vast, multiple kilometers.
It's stretching from down--
sucks a woman down into Cusco and then
off into the Andean mountain range to the sacred valley.
It's very similar to some of the stuff that they found in Egypt.
Yes, yes, yes.
And then what's interesting is you have the same hallmarks
and signatures that you see in Egypt.
So you see the stone knobs, you know,
these little protrusions that you get.
I'm addicted to those, man, because they
are all over the world.
Do you have any theories?
I mean, I've listened to a lot of theories.
I certainly think that these--
we should show an image of it.
Yeah, stone, what we're talking about.
Stone knobs.
There's all of these incredible, massive stones
that have been somehow or another move from a quarry,
sometimes that were hundreds miles away.
They have these weird nubs on them.
And no one knows what they are.
And there's a bunch of theories like maybe they help the move.
Yeah, there we go.
You see them all over the place.
And no one quite knows what those are.
India, you see them in Egypt.
You see them in Peru.
This is in Oleh Intentambo in the Sacred Valley.
Missing-- this is one of the things
that's so infuriating about people that
are arrogant about gatekeeping information
and being the only ones that are
allowed to distribute the truth, their quotes.
We're missing so much.
There's no way you really know.
Huge gaps of knowledge.
We're missing so much.
And more time goes on as Graham Hancock always says,
shit just keeps getting older.
And now they just push back the use of fire
by 300,000 plus years.
Yeah, yeah, exactly.
Like it just keeps going.
It's not going forward.
No.
It's going backwards, or it went in--
And anatomically modern humans, I think,
have got much further back now in time.
They're looking at 800,000 years.
Plus, you know, plus, plus, possibly even a million.
This is what weirds me about these creatures.
Human beings have gotten to the point
multiple times where we're almost extinct.
The toe of volcano, I think, we got down to--
God, was it 7,000 people, like the low estimate?
Damn, really?
Yeah.
It's a crazy story.
Like super volcanoes are unbelievably devastating.
To just all life, you know, because it just
changes the temperature of the earth, the entire surface.
Whatever doesn't get blasted out of the ground
by the actual volcano itself, all the other stuff
on the other side of the world gets fucked.
It just ruins everything.
We got down to, like, a few thousand people.
And then there was another time where one of these guys
who-- God, I forgot who that was as well.
We were talking about the reality of glaciation.
And about what happens during ice ages,
and how devastating it can be.
And they were saying that we had gotten at least multiple times
the history of the earth to the point
where it was incapable of sustaining life.
That within a few, you know, like whatever parts
per million of carbon dioxide are necessary to support plant
life, we literally got to the part
where there was almost impossible to support life.
And then it rebounded, and everything's fine.
So there's so much we don't know.
Absolutely, man.
So crazy to try to pretend you know that people 600 years
ago make this.
Because we know people 600 years ago live there.
We have a lot of archeological evidence.
And we have--
but you have weird structures on top of obviously much more
intricate and complex structures.
Yeah. And again, they share the same signatures
as places like in Egypt and in the earth.
They think you're a cook.
Yeah, they do.
It's just a knee-jerk reaction.
It's, again, it's adherence to a status quo.
And you get channeled for a very kind of fine wall
in academia.
And I think that it can be a real detriment, actually,
to opening up your ideas and being a little bit more
expansive with what could be possible.
Because you do get put into a very restrictive format
in the traditional academic sense.
And then obviously you have the pressures of funding
and things like this.
And it's not going to get the funding
if you're talking about this crazy shit.
And it's just like a self-fulfilling censoring, you know.
But it's really the rise of alternative media.
We're changing the game a bit.
Because you can actually put a voice out there.
You can put an idea out there.
It's not completely stone walled by the academic circle.
They can't actually prevent people
from disgusting these ideas in an open media format like this.
Right.
And if you put a video like you did on X or on YouTube,
people can like the video that you did on the aliens,
or whatever they are.
Whatever they are.
People can see the CT scans.
Exactly.
You see the CT scans and you automatically go,
wait a minute, this is 1200 years old.
Yeah, you're telling me someone fake this 1200 years ago?
Like I don't think they can fake that now.
You don't get, I don't think they can.
Hollywood special effects guys.
But then the composition of the actual,
the bones and everything.
Like coquillating muscle tissue.
And how would you fake that?
Circling back.
I texted Jesse to ask him for some insight.
I don't know what you guys were.
Oh, nice.
Yeah, yeah.
So what he sent me was a screenshot of a book where he got it from.
Thanks for this, James.
I'm going to translate.
Translation here shows science of insemination.
Yeah, Jumana, I guess, was the local word.
That's the local word for what that area is called.
Right, right, right.
This is a book he found from that area, I think,
and that says, yeah, laboratory of insemination and cloning.
What?
What I'm saying, dearly.
And look at all these terms that you see, man.
You may, it will verb to inseminate,
you mage, the science of insemination,
you mappage, wise inseminator,
you ma, sion, or clone.
This is what I'm saying, bro.
You may, to clone,
jumaj, the science of cloning,
and jumppage, wise cloner.
So basically, what the hell, man?
You know, it's there.
It's, it's interesting.
And then obviously, go back to that, please again.
You get, alongside this kind of description,
you have these bodies, you have this.
Pro this is.
I'll touch it.
Yeah, like this would do.
This was like one little 10-second clip in his documentary,
and it just made me perk up, like, wait a minute, what?
The name of the place is like a laboratory
of insemination and cloning.
And you're getting a smorgasbord
of different beings coming out of this area, right?
Like, what?
Jesse does add, I think he's speculating
somewhat on the etymology, not definitive,
but, of course, right, right.
But yeah, I mean, it's there.
That's what Jesse's better at this than me.
I'm like, oh, it's done, it's done, it's done, it's done.
It's there.
Wow, that is interesting, not, it is interesting.
And I think it does, you know, leads into what was happening
on his planet a long time ago.
It doesn't, it leads, like, my point was,
when I was getting to the whole Supervolcano thing,
what if something happened that wiped that species out?
Right, right.
Like, clearly, there's no more Neanderthals, right?
We, they, whatever happened, whether it was us
or disease or whatever killed them off.
They don't exist anymore.
We only have evidence of people
that are bred with them.
What, what is that thing?
Is that thing maybe one of us, like another kind of human?
Look, look, another kind of primate.
You know, look how different we are than Reese's Monkeys, right?
Like, we're all primates, we're so fucking different.
Why would we assume that the ones that we found so far,
including, like, would they find Denisovans,
like, 15 years ago, something like that?
Right, right, right.
And then Homo, Julienz, what was that one?
It was just a few years ago, like, they, they keep finding
these new versions of people, not new, obviously.
No, but long extinct versions of people.
I think it's possible.
And I also think that there's a, you know, potential.
What if, what if a particular sub root species
of Homo and it decided to opt in for subterranean living?
And they escaped a lot of the surface world traumas,
and we're actually able to kind of maintain their society.
I mean, look at all of the weird evidence we have
for these vast underground cities
that are in cool, you would love to go there, my god.
Do you mean what you said he just released a video on it?
It's bananas.
Did you mention renovating your house?
And fucking finding that.
Renovating your house had found there's a room
for 20,000 people under your house.
Would you say anything?
I don't know.
I don't think about where I live.
Did you say anything?
That's all where I live.
You live in a place where the government
could just come and take your house.
Yeah, be worried about that.
I would say it if I was in America.
But if it was in America, what if I really liked my house?
And now my house is connected.
Well, it's hard to decide.
And put the fucking archaeologist want to come.
Like get out of my yard.
Exactly, exactly.
But like, yeah, I think about this.
And I think about all of these different.
Yeah, good, good.
No, I'm happy to hear that.
I'm happy to hear that.
I'm happy to hear that.
But it's interesting.
And then you have, you know, the strange stories
like from the Hopi tribe, about the hands people
that came during a time of cataclysm
and they brought them underground
and then they brought them back up.
And there's a few like that.
There was a really interesting podcast.
It was years ago, I remember seeing this,
where they'd brought these two Amazonian shaman's
on the podcast, like full headdress.
They spoke their own tribal language.
They needed an interpreter in the room.
And the guy asked them what they thought about aliens.
And they didn't understand the question
didn't know what he meant by alien.
He was like thomming through this book
and he put up a picture of a gray.
And the tribes him went, oh, that's muck and wobble.
That's muck and wobble.
And they had a whole story about how this was a human
that became an ant that lives underground.
And it can appear in the divine light,
but you should be very careful with this being
because it will take your soul underground
and you need a very good shaman to bring your soul back.
And they were taking it real seriously.
Like, yeah, yeah, dude.
(laughing)
So it's like these tribal cultures, they know man,
they fucking know.
Well, I think there's an ancient memory in people.
I think it's one of the reasons
why these post-apocalypse movies are so popular.
There's a lot of post-apocalypse movies
where people, they figure out how to make houses
out of wood again and they're surviving
and they make little encampments
and they fight off the intruders from the outside.
You know, real like walking dead type shit
with no zombies.
I think there's a memory in us of the surviving humans.
I think there's a memory.
And I think we probably have been through
some terrible moments in the Earth's history
where there was an enormous disaster
and we are the ancestors of survivors
and I don't think there was a lot of survivors.
- No.
In fact, I heard you talking about that the other day
where you were saying about like the,
and it's something I agree with,
the necessity for post-cateclism, post-apocalypse,
the strong men would inherit the Earth.
- Monsters would inherit Earth.
- Monsters would inherit the Earth, right?
And so if you, if we really were a hyper-advanced,
that Latin type civilization prior to this,
maybe even more matriarchal than patriarchal,
it would make sense that when things fall apart,
obviously, and now you need to survive in the wild,
the strong men and the, you know,
savage guys would inherit the Earth
because they would be the ones who would be able to,
you know, push through that type of environment.
And then if that is the case and you fast forward
to where we are now, look at our incredibly competitive,
hyper kind of aggressive culture that we have,
it would make sense that this was formed
through the seeds of trauma and through the seeds
of having to fight for survival
and, you know, recovering what was lost.
- Yes, which also makes sense why the past,
the further you go back, the more barbaric these people are.
You're dealing, and you're like,
well, it took a while for people to learn, maybe,
but maybe you're dealing with people
that had to, they probably had a cannibalized.
I mean, they probably had to eat everything they could.
There was only a few thousand of them left.
I mean, if we really got hit by asteroids,
like if the younger dries is correct,
it makes sense that it would take like 5,000 years
for civilization to merge again.
- It's a recovery for merchant, yeah, yeah.
- Because that seems to be what happened.
It seems to be like you have literally
the scraggliest survivors and then eventually the Earth
gets back to normal, but even then,
it takes thousands of years for people
to just have a semblance of what we're experiencing today
in terms of civilization.
- And that's why prehistory is so fascinating
and the neolithic in the Stone Age,
because, okay, so this is a time
when we were just basic hunter-gatherers,
we had no intelligence, no language,
no real understanding of the world,
according to the mainstream,
but this is where you have multi-ton,
geodetically aligned solar equinox
and, what's the lunar alignment?
- I've completely just blanked just 'cause I'm a little bit nervous
of being here, but, you know,
like equinox alignments and alignments
to the sun and the moon, mathematically geodetically aligned
to what look like tealuric currents,
like electromagnetic flows beneath the ground.
A lot of these stone hinges and dolmens
are placed on places where you have strong
electromagnetic concentrations.
And just the package of mathematics and engineering
and stone crafting and the knowledge
of the sun and the stars and your placement on the planet
to create things like, you know, stone hinge
and these other areas in the world.
How can you do that if you're just hunter-gatherers
coming out of, you know, animalistic behavior?
It doesn't make any sense.
And then we kind of regress as we go further into history
and, you know, the stone work becomes less impressive
that things become less accurate.
And I find that very interesting.
How is it at the beginnings of our history,
some of the most impressive structures exist?
Exactly, it doesn't make any sense.
It just Egypt alone with the conventional timeline
of 2,500 BC for the great pyramid doesn't make any sense.
No, it doesn't.
I think that they most likely settled
around those pyramids.
Most likely settled around them and, you know,
the scans, if these can be validated fully
and empirically with digs and confirmation physically,
then that changes everything.
It changes everything.
You're seeing a lot of people spaz out online.
Oh, yeah.
Oh, yeah.
Wonderful.
It's been wonderful to watch.
Because when people are under pressure,
the real character gets rid of it.
Right, right, right.
They're under a lot of pressure right now
because those scans that radio, tomography,
or whatever the fuck it is--
Synthetic aperture radar, yeah.
It's super accurate with stuff that we know exists.
Yes.
That's what's a real problem for these people.
You want to believe it exists when it can map out
all these chambers in the pyramid.
You want to believe it exists when it can map out things
that we know that exist 50 feet underground.
You want to map-- you're cool with that.
Yeah, yeah.
But one kilometer of subterranean--
Oh, no, no, no.
Also, multiple scans from multiple--
Like over 200.
Yes.
It's all the same message.
Yes.
They're getting the same message through pillars.
Enormous pillars.
They have coils around them.
What?
Pillars with coils.
All of them have coils.
Yeah, do you?
And the whole structure is like almost two kilometers deep
into the earth.
It's obscene.
It's obscene.
Like, laterally as well, like two kilometers of infrastructure.
It's like the whole underground is like--
Help me out. Exactly.
People with copper tools help me out.
And that was my frustration when it first came out.
Because when it came out--
obviously, I did some research into the people
involved in the CAFRA pyramid team.
I found Filippo Beyonde.
I found his harmonic SAW website where it has listed
the things like the Mosul Dam in Iraq
and the Gran Saso Laboratory in Italy.
Places that they'd actually done scans
prior to even the Great Pyramid, which was peer-reviewed.
A 2020 scan of the Great Pyramid was a peer-reviewed paper.
And then you fast forward to now where they've got these ones.
You have people like, you know, Flynn Dibble on Piers Morgan
going, it's bullshit, it's pseudo-science.
It's never been done before.
It's never been tested.
And it's like, it has been done.
It has been tested.
It's actually got a patent.
It's been peer-reviewed in a paper.
Military applications. Military applications.
And Filippo Beyonde, he works for the Italian government.
Like, he's not some idiot.
He's a very, very intelligent man.
And he can speak on the science of this, like, you know,
articulately.
So it works on top secret projects.
Yes.
I don't know if you caught, like, that little scene in Jesse's--
Yeah, he was just like--
He didn't even say a fucking word, man.
Like, could he not talk about that?
It just looks out.
I mean, it's like, OK, we'll just figure that out.
Like, that's when you know, man, that's when you know.
But I mean, whatever this is, everyone should be fascinated.
You shouldn't be dismissing this if that's not even
your field of expertise.
It just shows what kind of a fucking weirdo you are.
What you should be doing is going, OK, how many scans do you have?
You have 200 scans of this?
Show me more.
Show me more.
Tell me what's going on.
We should probably figure out what that is.
If a magic if the pyramids didn't exist,
or a magic if it's like, you know, the sphinx at one point
in time was mostly covered with sand, let's just
imagine some crazy scenario where the entire pyramid structure
is covered in sand.
And nobody knows it exists.
And then someone comes along and does a scan
of the surface of the ground.
It says, you're not going to fucking believe this.
But this is shit on it.
Now, whatever it is, that's ridiculous.
That's preposterous.
And they don't look.
Exactly.
And they don't look.
We never find the thing that we all agree exists.
Because you can go there.
You can visit.
Right.
It's there.
If that didn't exist, you'd never fucking believe in a million
years there's a structure with 2,000,000, 300,000 stones
that's perfectly aligned to true North-South East and West.
And you're dating it to somewhere around 4,000--
I mean, that sounds like some pseudo-science conspiracy
talk to Major.
Sounds like exactly right.
Right.
Why is it more kooky to say these people, not only
were this advanced, they were even more advanced.
Way more.
They were down into the ground, 2 kilometers.
It might have been a power station.
Well, you know, Filippo thinks that.
He seems to think that the spirals might have actually
been tied to hydrology and using mechanical stress
and the piezoelectric materials used
in the great pyramid and the plateau itself.
Because what you have is a very interesting coupling
between limestone and rose granite.
So limestone is a very good amplifier of acoustics.
And rose granite becomes electrical,
piezoelectric under mechanical stress.
And acoustics are a form of mechanical stress.
So there's certainly something to be said about the fact
that the pyramids are acoustically tuned.
They're incredible inside the acoustics.
And they've done lots of measurements and experiments
on validating that.
That it almost seems to go up in a perfect scale
up to the King's Chamber.
And then the King's Chamber itself, I believe,
is focused around 110 to 115 hertz,
which is interesting for neurological reasons
in terms of influencing the brain.
But on top of that, you have, again,
this incredible coupling between limestone
and rose quartz granite where, under the right conditions,
you absolutely could get energetic responses from that.
But as well as this, you have the hydrological knowledge,
which is really quite impressive.
And when you look at places like the Osirian in Abidos,
which is a kind of sunken down temple,
we call everything a temple or a sacred site.
But we really don't know, do we?
There could be functional sites.
It could be a power plant or some form like you said.
And the Osirian in Abidos, next to it,
you have the setty-the-first temple, which is incredible.
It's beautiful and full of calligraphy and hieroglyphics.
And then you have this bare, faceless, megalithic place
called the Osirian, which is sunken down into the ground,
perpetually filled with water.
So they've tried to pump it out.
And it just fills back up again
because it's connected down into the water table.
And there's all these different shafts
and hydrological components in this site
that they don't understand the full function of.
And then you look at places like the Great Pyramid,
where you go down to the bottom of the Great Pyramid,
you have the kind of core.
And this whole area looks like it's been water eroded
as if it was flooded out repeatedly
and uses some sort of a pump or some sort of sequencing area
where you push water in and then let it out,
push water in and let it out.
And so Philippa thinks that maybe these spirals
bringing water up, and if you're 1,000 meters down,
you're tapping into ancient aquifers.
So you could be drawing up a really impressive amount
of ancient water.
And I just wonder if, same with Peru,
there's something incredibly important
about accessing this kind of water
at the real depths of the earth.
And they seem to have a real interest in doing that.
So perhaps the pyramids are in some way,
I mean, if these spirals are real,
it's like a plug, isn't it?
It's like plugged into the earth,
connected down into these aquifers.
Perhaps it was utilizing water as an energetic medium
through the materials.
- I would recommend to anybody to check out Christopher Dunst.
- Oh, fantastic.
- I had him on the podcast and he explained to us his theory,
he's an engineer, and he started studying
the structure of the pyramid.
And his conclusion was the entire thing
was probably used to generate energy.
And it's like, what?
But when he breaks it down in terms of,
I'll butcher the math if I even try,
but in terms of the dimensions,
the way it's made.
And the fact that you could have something
that was down in the basement,
it was somehow another creating a resonance.
- Right, right, right.
- That would have this effect, the shafts,
that go up straight onto the space,
and the fact that there's evidence
that they would possibly use these shafts
to pour chemicals in, and it would create gases.
- Well, this is pretty nuts.
- It is nuts, but when I was not the last time
I was on YouTube, but the time before then,
I was out there with a guy called Jeffrey Drum.
He's got a YouTube channel called The Land of Chem.
And he's all about this in terms of the chemical mass
manufacturing that he believes was going on in the pyramids
and these other areas.
And we filmed all of the coverage of that.
If anyone wants to go and see it on my YouTube channel,
taking us through areas in the Geyser Plateau,
where you have an incredible concentration
on the Geyser Plateau of Iron Vains,
and they all seem to be emanating from the pyramids.
So if you go around the pyramids,
you'll see these Iron Vane networks
sort of flowing out from the central point,
and these Iron Vanes are heading down into what are called
these boat pits.
- When you say Iron Vane, like iron ore.
- Yeah, it's on the surface, it's deep in the ground.
- I mean, there's some on the surface,
so you can actually see the snaking kind of veins of iron
that's kind of rusted out and oxidized,
and you can make it out, but surely it must be deeper as well.
But it seems to be stretching out from the pyramids
down into these-- - Like emanating from the pyramids?
- So his theory is that they built the pyramids?
- Yeah, his theory is that they built the pyramids
on top of these Iron Vanes,
particularly because this place was getting lightning strikes
frequently, and they were using-- - Oh boy.
- Yeah, I know, I know.
- It's a giant lightning rod.
- Dude, I mean, these things are built in a way,
and they were gold capped at one point.
- Right, and gold is a really good conductor.
- Conductive electrical electronics.
- And the Geyser Plateau is covered in these
conductive Iron Vane networks,
which the pyramids do seem to be built upon.
Now, this is his personal theory,
but he's an American who's been living out in Cairo
now for about six or seven years, I believe,
and he just decided to up and move out there
and dedicate his life to exploring these places.
And so he took us across all of these amazing areas
and showed us things I'd never seen before in Egypt.
But his theory on the pyramids is similar to Christopher Dunn
in terms of some form of chemical manufacturing taking place.
And if you know the original name for Egypt was Kemet,
that's why this guy's got his YouTube channel,
The Land of Kemet is the beginning of chemistry and alchemy.
So this is one of the root words
where we then got chemistry and alchemy from.
So it is the land of chemistry and alchemy.
- That's, but... - Yeah.
- There you go.
Is this...
- Oh, this is one of his videos, great.
- This is the iron ore.
- So these are the, yeah, I believe he's probably highlighting
the Iron Vane's and these Iron Vane's head out
into what are called boat pits,
which they believed in the mainstream interpretation.
- You're freaking me out with the Land of Kem.
That is crazy.
But when did they name that?
- I don't know when it was named that,
but it was originally referenced as Kemet
in some of the ancient Greek and, you know,
there's reference to it being called Kemet, K-H-E-M-E-T.
- And it really means the same thing?
- It's what people believe is a continuation
of alchemy and chemistry because you get so much alchemy
from Egypt and obviously this is the place
where you get Hermes, Trismadistas and Hermeticism
and the philosophy of stone kind of leaks out
from these types of areas.
So I think that there is a lot to suggest.
There's plus we actually know in the mainstream
that they were incredible chemists,
like regardless of exotic forms of chemistry,
that we know they were using acids and neutron baths
and things like this, like Egyptians knew what they were doing
even from the perspective that we understand,
regardless of getting a little bit deeper into it.
- Right, and you're talking about Egyptians
like Cleopatra time.
- Right, so like we know that they were doing it.
- Historically.
- Exactly, yeah, that's why it's so strange.
Like if this structure is proved to be real,
if they start an excavation and they have irrefutable proof,
like without a doubt, there's some man-made structures
that are beyond description underneath the ground,
what happens now?
Like what does everybody do?
Like what do all these dorks that think that that's a tomb?
- What do you do with that point?
- What do you do?
- What do you do to all those dorks that think?
Like it makes sense that they built that.
It was a national pastime.
It's a national project.
Come on, bro.
- Yeah, yeah.
- Settle the fuck down.
- I think it's that point, you have to.
- Well, I think the pyramids uniquely stand
as an intelligence test because they are so crazy.
When you have stones that are so large
that are taken from quarries hundreds of miles away.
- Five hundred miles away.
A lot of these people supposedly didn't even have the wheel.
So what is this?
What do you, you don't think this is crazy?
Like this isn't like, oh, we know they use the wood
from these trees to build these homes.
Like this is bananas, this is level level.
This is something that would take us hundreds of years
today to build.
- And one of the things that is said so much,
but I guess it's kind of shrugged off
just 'cause it said so much,
but it's actually a really important point to highlight.
There are no fucking hieroglyphs in the pyramids.
Not one, there's not a single symbol,
not a single element of what we would understand
to be dynastic Egypt.
And so like you have this incredible contradiction
when you go to places like the Valley of the Kings
and the Valley of the Queens, gold,
and you know, it's adorned in patterns.
You can't see a square inch of stone
where there isn't something filled to venerate these people.
And yet the pyramids are bare, bare.
And you know, when you go inside them,
you're gonna go to Egypt, bro.
You're gonna go.
- Eventually.
When you go inside them, it just feels mechanical.
It feels functional.
It's, you know, big port calluses of rose granite
and these shafts going off perfectly vertical
off into the, you can't even see.
And there's nothing about it that feels
spiritual or funerary at all, at all.
- Just looking at it, it looks to me like an advancement
of what we are that's almost like indescribable.
A thousand year advancement of where we are currently
to build something like that.
It seems so nuts.
And there's obviously stuff that doesn't seem as nuts,
it's just beautiful and impressive.
You know, just like the Colosseum in Rome.
- Exactly.
- Or like, you know, the Cropolis.
You know, all those things are fascinating
and incredible craftsmanship and engineering
and architecture, amazing.
But then there's Egypt and you go,
shut the fuck up, like what is that?
That's nuts.
- Yeah, and I resent the idea that we're like taking it away
from them.
It's like let's just be logical about this
and actually assess the toolkit and assess the capabilities
and then look at the evidence of what we're seeing.
- Also, we're not, because it's people
that lived in the same place.
So it's literally just the older versions of them.
- Right.
- It's not like you're saying, you know,
Chinese people came and they did it all
and then they flew back.
- Exactly.
- No, that's not what anybody's saying.
- We're just saying it's your more ancient ancestors.
- Yeah, it's your ancestors.
Not, we're just, the timeline's off.
The timeline seems funky.
Clearly, there were some amazing things
that the Egyptians did during the accepted timeline.
I mean, they were a fascinating culture,
all through till the end, right?
But when you go really far back,
whatever that is is nuts.
And when you're saying that you know exactly
when it was dated, when there's so much evidence
of just today, modern, doing these reconstructions
and fixing and all the feet of the sphinx
and they're covering it with new fucking rocks,
like they've always been doing renovations.
They always do.
So all this stuff that you're saying,
like you've got a piece of wood from inside
one of the cracks, like bitch, that doesn't mean anything.
- Exactly.
- You can't date those rocks.
- No.
- Unless you get under those mother fuckers
to the bottom and take a chunk of organic material
from deep underneath that thing.
So you can know when the first stones are placed,
you don't know, you're guessing.
- And I think that that's why we're coming
to a point now where there's such resistance
from the mainstream when you see scans like this
because they've built themselves into a wall.
You basically have to admit, yeah, we're just fucking wrong.
- You're also seeing them confronted by real evidence.
- Yeah, like real evidence.
And like just when someone takes you for a walk inside
the king's chamber and you look up at those stones
that somehow they're like, how high are they in this guy?
How high are they in this field?
How high are they?
Do you remember?
- Oh God, no, I don't, sorry.
- So 80 ton stones?
- Yeah, 80 tons.
- And the king's chamber, 80 tons.
- How tall, let's look.
- And that's near the apex.
- That is near the apex.
- Jamie, please put this into proplexity.
How tall is the ceiling inside the king's chamber
in the Great Pyramid?
'Cause these things are perfectly placed in there.
Like even if you drag those somehow or another
across the mountains for 500 miles
and got it to the pyramid,
how the fuck did you get it up there?
- Exactly.
I'm not a line up.
How many people got squished?
Chamber itself spans 10.5 meters long by 5.2 meters wide.
How tall is the ceiling?
19 feet.
- 19 feet.
- But it's also near the top of the pyramid.
It's incredibly high up in the pyramid as well.
They have to lift it to that point.
- You have to get these 80 ton blocks 19 feet
and then place them perfectly.
- And there's absolutely again,
there's nothing kingly about the king's chamber.
- At all, it's just completely a bare room of rose granite
with this sarcophagus coming up out of the floor
with a huge chunk missing.
And actually if you look at where that huge chunk is missing
and you turn around and you look at the wall,
there's actually a massive impact on the wall.
There's like a big part of the wall that's been broken off.
So it makes you wonder if maybe that was jettisoned off
at some point from your power or something.
- Well, what do you think is in that,
what they call the sarcophagus?
Do you have a theory?
- I mean, I've been inside it.
There's nothing inside of it.
- You've got in it.
- Yeah, I've laid down inside of it.
- It's kind of creepy.
- With a grand master of the temple or order chanting over me.
- Oh, fun.
- Yeah.
- That was my first trip to Egypt.
- I'm gonna take a video of that.
I put it up on X and no one's ever gonna take you seriously.
- Yeah, that's all right, right?
- Well, this guy's our fucking cook.
- I am.
- I am a cook.
- Well, you have to be a cook.
- You know, yeah.
- You have to be a cook to really enjoy this.
- And you have to be on the fringe.
And also I think some of the most impressive scientists
and creators have been people on the fringe.
You were laughed at by all that peers.
- Well, especially now because the way universities work,
it's essentially there's a person
that is the most important person in that field, right?
At that university.
And there's a bunch of people that want grants.
And there's a bunch of people that want to play nice.
- Exactly.
- And they want the career, they want tenure.
And you gotta be careful who's toes you step on.
And if this one guy is the gatekeeper of it
or a group of guys like him at various universities,
or the gatekeepers to this information,
you're gonna come up with the current bottleneck problem
that we see where people are not just unwilling,
but aggressively attacking people, the question is,
which is why they called Graham Hancock Show,
the most dangerous show on television.
Like, that is so crazy.
You have so many shows where people get murdered.
- That's the best way to make a show go viral though, isn't it?
Best way to make a show go viral.
Don't fucking watch this show.
Like, you know what I mean?
- Great job.
- You did a great job on the video.
- But it does bring up a disturbing and worrying element
of it, just how quickly the mainstream media
in various outlets all aligned at once
to call him everything from a racist to a pseudo-scientist
to a conspiracy theorist.
And you know, it is an alarming kickback
that he's taken in his stride, profoundly, profoundly.
- He's a wonderful guy.
- He's great, I can't wait to speak to him.
I literally missed him by like three days
when I went out to Peru, I was gutted.
- He was my first real guest.
- Yeah, yeah, yeah, he was, isn't he?
- Yeah, I mean, he had a dunk in.
(laughing)
- Oh my god, that must've been so good.
I need to rewatch that.
- From England, we got him to drive to my house.
- Yeah.
- And then once he got to my house, we ordered pizza.
We all ate pizza, I mean, I couldn't believe
I'm hanging out with Graham Hancock.
I was so giddy.
- I was mad.
- It was like one of the first actual guests.
- Giddy moments, like, you know, you're just like,
I can't believe I'm actually sitting with this dude.
- Yeah, because the guest before that
had mostly been comics.
- Right.
- Or some person that I thought was interesting.
You know, some guy that I met at the comedy store,
I'm like, what do you do?
You're a therapist, and what do you give people?
I was like, come on over.
- Come on, talk to me about it.
- Yeah, yeah, I did a lot of those.
But he was, I think, the first real guest.
- Was there like a conscious decision for you
to kind of evolve it from just comedians talking shop
to actually getting different guests on
from a variety of subjects?
'Cause I know you're a curious person.
You've probably been researching these things
even at the point before you were doing that kind of podcast
'cause you were clearly you were.
But yeah, what was the natural evolution of that for you?
- Well, I was always into books about ancient history
and whether it's, you know, like, moderately, you know,
commonly accepted narrative or Graham Hancock stuff.
But I got into Graham Hancock stuff.
I think in the 90s fingerprints of the gods, you know?
And I fucking loved it.
I was so fascinated by, I couldn't shut the fuck up
about it, I would tell people like, you gotta see this.
Like, I think this guy's right.
I think we're, we are a history with Amnesia,
or a race with Amnesia.
And then, of course, I watched "Chairs of the Gods"
that film which I thought was very kooky and fun.
It's a very camping and fun.
And here's the thing about that.
I dismissed it for a long time and I said it's nonsense.
And I was, I actually had lunch once,
Eric Weinstein took me to lunch at Peter Teals House
where we talked to Von Daniken.
And it was fun, fun conversation.
Like, interesting.
I'm talking to, he's a full on true believer.
- Von Daniken?
- Yeah, yeah, fully.
- Of the alien theory, the ancient aliens theory.
And back, see, I've gone in like multiple stages
in my cognitive dissonance and for a while,
I was all in with the aliens.
- I hear you, I'm the same though.
- And then for a while, I was like, no, no, no, no.
There was an advanced civilization
and we're just a rebuilding of that civilization.
And that's probably why we're so barbaric.
And now I'm like, why am I, why are they mutually exclusive?
- Right, it could be a mix.
- Yeah, I don't think they are mutually exclusive.
- When the gods walked amongst us, you know?
- Right.
- And that's when I see the things like the trifectal mummies
and I'm like, okay, okay, okay, what is that?
What are we talking?
Why is Peru so weird?
Why do they have artwork that you can only see from the sky?
Like, there's a lot of weird shit going on here.
Like, don't be so quick to jump.
- Exactly.
- So my point is like, I have always been fascinating
by stories, first of all, any subject
that makes you ridiculous for considering it.
I'm always like, what's that about?
- Yeah.
- Why is that--
- Scratch that bitch a little bit, yeah, yeah.
- All the cooking ones, like ghosts, bigfoot,
all the cooking ones.
- Like, why?
What's the resistance?
- I don't know, why can't you talk about that?
- I don't know, I don't know.
- Russian astronaut tell me a bigfoot story.
- Yeah, he, I mean, pinch assault,
but he claimed that he had been told this
by a military guy out in Russia that they were
in the wreck room of this like air force base.
And apparently, this is according
to this Russian astronaut trainer
at the Yuri Gagarin Space Center in Moscow.
And he said that this, this Yeti Sasquatch type being
apparently just walked in, like, just walked into their
wreck room, helped itself to some water from the water thing,
waived and then vanished.
I don't know.
- So this guy, what was his job?
- He was a trainer of astronauts
at the Yuri Gagarin Space Center in Star City.
Moscow, they probably dozed him up with some of the fun.
- I bet they did.
- And K ultra drugs.
- Yeah, I mean, if you hold onto that kind of information,
interesting story.
- They probably experiment on you.
- Yeah, yeah.
- You probably gave that guys a message.
- I never, I've been given the Sasquatch thing.
It's due course in researching it,
to be honest, I've been very dismissive of that.
But maybe it's, I mean, maybe, you know,
I mean, like, I have the demographic behind it.
- I used to have a Sasquatch bigfoot footprint,
like a cast, like a plaster cast on the desk.
That a rest in peace, Dr. Jeffrey Meldrum,
he just recently died.
I had him on the, as a guest on the show wants to.
He's so crazy.
I told him, I asked him if he was so crazy,
but in a wonderful way.
I said, if you could cut a finger off
to know that Sasquatch was real, would you do it?
He was like, yes.
- It's a link.
- What the fuck do you do?
- Is your finger, don't say yes to that.
- The information just comes out.
You don't have to lose a finger.
- I mean, it's just sitting there with half a finger.
I think bigfoot was a real thing.
- Yeah.
- I think that's why there's something, like,
- Do you think it was just like some sort of, like,
branch of creature?
'Cause so many people think it's like an interdimensional being
or, you know, some sort of-- - It could be that too,
but I think it's jugantopithecus initially.
- Yeah, yeah.
- jugantopithecus was an absolute real thing
that we didn't even know existed until the,
I believe it was the 20s.
- Yeah, around then.
- It's going as teeth in an apothecary shop in China
and then they started researching it
and finding where the dig sites were.
- And, you know, they found jaw bones and indicate
that it was bipedal.
So this is a bipedal hominid that's eight to 10 feet tall.
But what is that?
That's bigfoot.
- That is bigfoot.
- And that's probably, and also this thing,
100% lived around modern human beings.
Like, what we are today, it lived around us.
So imagine you see one of those things.
Well, first of all, you're going to fucking run like hell.
You're going to have stories.
This thing lives in the woods or in the jungle.
Stay out of this spot.
That's where this thing lives.
And that's going to be passed on
from generation to generation to generation until,
even after they're gone, now it's just a whisper.
Now it's just a thing.
It's now it's a mystery man that lives in the woods.
- Are they like antiquated bigfoot stories
like outside of just modern--
- Yes.
- Oh, without a doubt.
Especially Native American cultures.
- Oh, interesting.
- That's what's interesting is like Native American tribes.
There's multiple, obviously, many different tribes,
many different languages, right?
They all have a word for this thing.
Like let's put this into perplexity.
How many different Native American names are there
for bigfoot?
'Cause I believe Sasquatch is a Native American.
I don't know which tribe had that.
But there's multiple different names
for this hairy creature that lives in the woods.
But they don't have names for like a giraffe
that lives in the woods.
They don't have like other mystical animals.
- Just this one.
- Mythical creatures.
You just have this one.
- Yeah.
- And this one is a fucking weird one.
- Well, that's what I mean with the interdimensional aspect.
It's triadifferently than just an animal,
even if it's like--
- Right, that might be real too.
This is part of the problem.
It's like, we might be dealing with multiple different things.
It might not even be Gigantopithecus.
Sasquatch, that's right I've heard that.
Oma, that's right, there was a movie called Oma.
The guy who did the American world for a long time.
- That's just the last words you say
when you see bigfoot.
Oma!
- Yeah, don't do it.
- Yeah, actually, Tanka, big elder brother.
- 70 to 80 names.
- Wicked cannibal.
Oh boy, Wendago, Wicked cannibal.
- Yeah, Wendago, I've heard that one.
- Wendago.
- Yeah, I've heard that one.
- And yet to show, how to say that?
Yet to show?
- Yet to show?
- Yet to show?
- Yeah, yet to show.
- Big God, and that's the Navajo neighborhood.
- So there's a bunch underneath that too.
- Yeah, like it says about 70 to 80 names
when accounting for variants across 50 tribes.
- Okay, so what is that?
- And it's the same with the alien grace,
like the young people.
- Yes.
- Well, and then brings us to the same subject
of what if there is a way to traverse dimensions?
What if this is not as simple as something
gets in a spaceship and it comes here from another planet?
What if it's coming from another place?
And what if that doorway is open to other things?
And what if some of those things are a Sasquatch?
Like under the right conditions, this pathway is open.
And maybe it's not even something that actually exists,
but you can see exists in our tangible timeline,
but you can see under heavy stress,
under like anxiety, and imagine,
what gets you more stressed out
than being in the woods at night, right?
The woods at night creates a lot of anxiety for people
because there's all these sounds and you're looking around,
it's dark, you're vulnerable,
especially if you live in real woods,
like woods that have predators in them.
It's sketchy, and I bet there's different states
of mind that you would, if there's some sort of a possibility,
some sort of a way that an intelligent creature
can get to a point where it has the technology
to access other dimensions.
It can go into other spaces.
Would you even be able to see it all the time?
Would you only be able to see it
if you were like under a highly anxious state in the woods,
you're kind of a little freaked out,
you're more open to weird things,
and then it senses that and communicates with you.
- Well, we are-- - Sounds cookie.
- We're dominated by our perception,
and we have such a narrow bandwidth of visual perception.
You get up the whole light spectrum
and look at visible light,
just this tiny corridor of visible light
that we're able to see.
Obviously, we've developed IR, and if you film
the night sky with infrared, you get weird shit.
You get these orbs and things that seem to fly by,
and I think that it is a perceptual thing
because the reason I even started my YouTube channel
is because I've had my own experiences
with UFO-type phenomena that were entirely initiated by me,
like I asked for them to come and they did.
- See, that sounds cookie.
- I'll take that clip, but I dismiss you immediately.
- There's quite a way for it.
- But this is one of the things that people have been saying
for a long time, is that there's actual groups of people,
and there was even some guy who was somehow
another connect to the government,
that was saying that they lead these people out,
they go out into the desert,
and they have some sort of a secret frequency.
He didn't want to discuss it, that they can push out,
they can send out the secret frequency,
and it'll call them in, and that other people have done it
simply by willing them in.
- That's what I do. - So sitting there
and putting out this message that you're trying
to communicate with them, and then eventually they show up.
- Yeah, I can't speak to technologically assisted
psionics and all that kind of stuff,
but do you want to hear my UFO story?
- First of all, did you come up with this idea on your own,
or did you hear about people doing this?
- No, I heard of it from someone who's a quite polarizing
figure in the UFO community.
I know you've spoken to him, Dr. Stephen Greer,
but... - Polarizing people are right sometimes.
- He's right on this.
- There could be right on a lot of this. - He's right on this.
I know that a lot of people have issues with Greer,
but he was actually my intro into the UFO subject.
So I'll tell you a story.
Sorry about my throat.
Let me just take a sip of water, actually.
This was... - How did he find out about it?
- It's a good question.
He had a near-death experience, believe,
and from that was actually apparently communicated to
and shown things that when he came out of that experience,
he became a Samadhi type teacher.
- Of course.
- You know, but got profoundly interested.
- That's a great origin story.
- Brilliant origin story.
My origin story was I was really bored during COVID.
So like, honestly though, it was actually in 2019
that I had these experiences.
And I do think that it's very important to lay a bit
of foundational groundwork,
because I think a lot of people will recognize this as well.
And it's something that you mentioned with Bigfoot,
being in a high-stress environment in the forest,
maybe that changes your perception.
And I think that there's a degree of trauma,
and a degree of intense emotional moments
that can bring about paranormal experiences.
I don't know why, but it does seem to be something
that a lot of people relate to.
Yes, I was in a very dark time.
Yes, I was having a very traumatic time.
Well, yes, I was going for something.
And then this happened.
And so for me, I was in my third year of university
and struggling.
Just had a whole mix of personal issues going on.
So I ended up kind of dropping out before I finished
and was just a really bad rot.
And my dad was worried about me.
And he said, look, I'm out in this a bit of a long story,
but it's important to lay this foundation, I think,
before I talk about what I actually experienced,
because it plays in.
My dad was worried, he was out in France at the time,
and he said, look, do you want to come out and stay
at this place with me and just kind of relax
and bring yourself back to normal.
I was like, yeah, OK, so I came out.
And he was like, I've got these books that I've been reading.
I think they'll be really beneficial for you.
You should read them.
I was like, OK, I don't see how a book's going to change.
Does you often recommend books?
Not massively, no.
In fact, no, no.
This was the only time you recommended books, which
is interesting.
And there were a series of books called "Conversations
with God" by Neil Donald Walsh.
Have you ever heard of them?
No.
OK, so it's interesting.
It kind of ties into, I suppose, that the channeled works,
things that people believe they receive.
Oh, wait a minute, I have heard of this.
It's quite well known.
He's quite well known.
He was a radio DJ, broke his neck in a car accident,
became homeless, finally managed to get back on his feet.
But was still struggling, wrote an angry letter to God,
and then apparently woke up at 3 o'clock in the morning
and was having voices, literally telling him
to write things down.
And so he wrote all of this down.
And this became "Conversations with God."
It's literally a dialogue of him asking questions
and him receiving answers, which he interpreted as, from God.
Now, that is intense.
And I'm definitely not here to say this is a bible.
And everyone should read it.
However, it was incredibly impactful for me at that time.
The things that I was reading about,
it was a very different idea of God, universal consciousness
leaning towards more than some weird patriarchal cloud
living figure that just never made sense to me.
So it got me in, and I was reading it,
and it helped tremendously, weirdly enough,
which I didn't expect.
And that put me on a path towards researching metaphysics
and philosophy and science and consciousness.
And that's where it really started for me.
But then a couple of years down the line,
I found myself in another depression, in a sense,
because I felt like I'd accumulated a lot of information
about various different topics.
I thought we'd like these big questions
and big answers and big esoteric things.
And I just got to a point where I was like,
"None of this is actually helping me in my life."
In fact, I'm actually feeling like fucking worse
for looking into all of this thing.
I don't know how this is going to benefit me.
So I was sitting on my bed one night,
and I just, I guess you could call it a prayer.
I just sat on my bed and said out loud to the universe,
like I need something that validates all of this.
Like if I'm meant to be looking into these big picture
questions about the universe and consciousness,
if there's something tangible here,
like I need to know and I want evidence,
and I'm ready for it, so give me it, I want that.
And then a week later, my best friend at the time,
he was like, "Hey, I was watching this documentary,
you've got to check it out."
It's called Unacknowledged by this guy
called Dr. Stephen Greer.
And this was my first introduction to the UFO subjects.
I was like, "Okay, cool, sit down and watch that."
Very good documentary.
All of these different high-level officers
and missile launch guys talking about UFOs, it got me in.
And then near the end of that is when he brings up
this concept of CE5, you know, initiating contact with these.
You can actually have your own experiences
by getting into a particular meditative state.
If I hadn't been making that request on my bed
the week prior, I probably just would have watched
that documentary and gone about my life,
but it felt like a very strong message to me personally
because I've been asking for something
to validate these ideas around consciousness.
Now there's a guy saying, yeah,
you can actually have an experience
by going out and attempting to, you know, ask for one.
- So taught me through the process
of actually doing that.
- So he has-- - Did you get it on the first try?
- No.
- How many times do you try?
- It was a weird gradual thing
where things were happening in the sky
that were enough to keep me going out,
but not enough for me to be like, okay, this is legit.
- So how many times did you go out before it worked?
- Before I saw what I really, really saw,
probably about a month of going out.
- Damn, that's commitment.
- But I was seeing things, but they weren't.
It was kind of just enough to make me like, okay.
- What are you seeing?
- Lots of what the contact community
called flash bulbs, flashes of light in the night sky
in a void of space repeatedly
without any discernable object attached to it,
just one flash and then send a thought,
another flash, send a thought, another flash.
And this happened multiple times.
I've been somebody watches the night sky all my life.
I'm used to seeing satellites.
I know what region's layers are for.
Maybe an hour or two hours, you know.
- And so you sit down.
- Are you seated?
- No, I should be standing with my neck cream to the sky,
but I would be--
- Why don't you get a lounge chair?
- I don't know.
- I'm a native.
- I don't know.
I don't think about things properly sometimes
when I do this.
- Just lay down on the ground.
- Just lay on the ground.
- Don't you get a better view of this guy?
- Yeah, but it's cold in England
and it was milky on the floor.
- Oh, it's not.
- Get a tarp.
- Yeah, yeah, but I was essentially,
because of, again, asking the universe for something,
the universe seemed to be giving me some sort of response.
It kind of lit a fire up under me
and I started going outside.
And honestly, a lot of people, even Greer,
has this incredibly complicated method
using Somardi and doing various things.
I didn't do any of that.
I just breathed in through the nose
and out through the mouth until I felt very calm
and then began to very clearly model my thoughts
around the concept of I want something to respond to me.
And then I would essentially visualize
that that was emanating from me,
that these thoughts were emanating from me.
And it didn't take very long
before I'd have flashes of light in the sky
that just seemed weird,
'cause I've never seen anything like that.
Or an incredible influx of what look and behave like satellites,
but just at an incredibly high level,
which is like, what's going on here?
And it just felt like a kind of step-by-step progression
until in August of 2019,
I had four incredibly vivid and real experiences
with orange orbs of light, really profound.
- What was that?
- What happened?
- So I was outside
at this point, it become my routine.
It was in the summer of August
and it was relatively warm.
So I was out doing this quite a lot,
seeing little flashes, seeing things in the sky,
trying to figure out what exactly it was that I was seeing.
And I was standing at the back of my garden
looking towards my house, night sky, crystal clear.
And I saw at the beginning a flash of light
in the corner of the sky.
So I looked over and I saw this flash,
another flash, another flash, and it was just blinking,
but it was static in space.
And then it started moving down.
Every time it blinked, it would move further down.
And I was observing this.
And then it settled above two stars
and kind of created the apex of a triangle.
And it was just flashing above these two stars.
And I was watching this for a while
and it happened for long enough
where I just decided, all right, just thank you,
whatever you are.
I'm just gonna keep panning around the sky here
and looking around.
And as I panned my head, I saw that there was a cloud,
but I didn't really look at it.
And I turned around here, come back.
And I see this cloud again.
And this time I really looked at it.
And this cloud, Joe, had, so strange.
It's like a dark cloud.
But when you stared at it, it had a static appearance.
It's very hard to describe
over the, imagine a light overlay of TV static.
There was particles, it was agitated, it was shimmering.
It's not a cloud, certainly not anything
I've ever seen in my life.
And if we pretend this microphone is my house
and this cloud is here, it's drifting this way.
So eventually it's gonna drift past my house
and go this way, at least according
to its natural trajectory.
It gets to my house
and it does a right angle turn
and it starts coming towards me.
So eventually it's gonna be above my head,
this cloud-like formation.
A cloud does a right angle turn in the sky.
A abrupt as in 90 degrees.
It's going like this
and now it's going like this towards you.
High up in the sky,
but it's now in my path,
complete 90 degree shift from its trajectory.
And I saw it, like a jarring,
now it's going this way.
Okay, so at this point, I'm rooted in place.
Not really scared, but I'm shocked
at the fact that this thing did what it just did.
And I'm watching as it's coming closer
and closer towards where I'm gonna be.
Eventually it's directly above my head.
It sounds so crazy.
And you know, Terrence McKenna said something like this.
He was like, you know, if you tell the unvarnished truth
about a UFO experience,
you'll be taken for a fool.
It's like it's true, you know.
If you just tell people what really happened,
but this is what really happens.
So this cloud comes above my head.
As it's directly above my head,
this cloud sucked into itself
as if there was a central vacuum,
central point where it just got sucked into itself.
And it revealed a triangle formation
of about 25, maybe 30 orange orbs of light in a triangle.
And this triangle, basically the cloud went,
triangle was revealed.
It kept moving.
I had to turn around and watch as it went off
in this direction.
And as I was watching it,
I could see that some of these orbs
were actually swapping formation,
swapping position in this formation.
And that was the first time I saw them.
I saw them three other occasions
all within the space of a month after this.
Weirdly enough, I woke up the next day
and this is the only element of the story
as crazy as the whole thing sounds.
If the only element that makes me personally uncomfortable,
I was getting out of the shower
and as I was drawing myself off immediately,
immediately noticed where this tattoo is now.
There was a triangle mark of three red marks,
one here, one here, one here, very vivid.
Like the most coveted up of the tattoo.
Well, it faded.
It faded over time.
I have taken pictures of it.
Yeah, yeah.
Is it clear?
Yes, can I see it?
I can try and find them.
Yeah, I haven't got my internet on right now.
Jamie, if you go onto my ex account
and just type in
J Anderson marks on arm,
maybe that will come up, I'm sorry.
I should have really sent that ahead of time,
but I do have images online, people have seen them.
And I've discussed it many times.
Did it look like a wound?
Did it look like a tattoo?
So three red marks, no bump, no scab, no itching,
no feeling of discomfort.
There was a slight shine to them
as if it was almost like a healed over burn.
And this was very vivid.
It didn't dissipate for over a year.
It was on my arm for about a year
before it faded away, eventually faded away.
And then I got home, he's chris majestic tattooed on my arm.
Weirdly enough, I got this tattoo
and then got invited to Egypt.
But yeah, I had these experiences,
I had another experience where they came down
and hovered above my house.
Yeah, I asked you this, so these orbs.
Yeah, there's...
There you go, there you go.
Thanks Jamie, thanks for that.
That is.
Yeah, it looks like you burned three cigarettes in your arms.
That's what some asshole online definitely claimed.
But I didn't.
Well, that's what I would say too,
yeah, yeah, yeah, yeah.
This is crazy.
Yeah, I noticed it immediately.
I'm not particularly comfortable with it.
I don't know what it really means.
I really...
I'm a bit of an idiot, Joe,
'cause I should have gone to a dermatologist.
I should have actually had someone look at it.
You have to end it, but cattle, son.
Well, that's kind of what I think at the same time.
Can I... Can I even be mad at them?
I was like, "Show me, show me, give me evidence."
I want to sign, "Fuck it, finance."
Right. Well, I would say whatever that is on your arm,
who knows?
Maybe a dermatologist could explain it as just a coincidence,
but the actual thing itself is far more interesting to me.
And, like, one of the things that people always say
is if they were out there, what wouldn't we see them?
Like, God, if they could come here from another dimension,
or if they can come here from another planet,
or another solar system,
don't you think they could probably hide?
Like, we're pretty good at hiding.
Like, do you think, like, we have...
We have technology right now, like the stealth bomber stuff,
that diminishes the radar signal.
Exactly. You can't pick them up on radar.
So, why would it be impossible to somehow
another manipulate your visual field,
project what looks like clouds on the outside?
We know that we can do stuff like that with plasma.
Like, they have these plasma things
that could spin in the sky.
Absolutely.
It's weird. They can make objects out of them.
I wonder if that was plasma.
I actually do wonder if this was a form
of self-organizing plasma,
because that's definitely something
that people have looked into quite a bit.
That maybe plasma has intelligence.
Yes.
It is some, yeah.
Yes, and perhaps these are a form
of individuated, plasma intelligences
that can interact.
And one thing that's very interesting about that,
there was a brilliant paper, actually, I did a video on it.
It's like 11 different scientific institutes
looking at the idea of self-organizing plasma
and intelligent plasma.
And they were using some references,
like do you know the STS-75 NASA missions,
where the tether broke and you had all these strange things
going around the tether?
Yes.
So that's dismissed as ice particles and things like that.
Have you ever seen the motion tracking version of that,
where someone actually attached the flight paths
of each object, so you can see the flight path?
No.
That's crazy, because--
Do we see it?
Yeah, I'm sure if Jamie looks up--
That is a weird STS-75 flight path.
Lights are going towards that thing and checking it out.
Yes, so this is a gigantic tether.
I think it's like two kilometers long,
or something is absolutely insane.
It broke away from the ship.
And as it broke away, you had these--
well, what some people believe to be UFOs or plasmic
intelligences, or if you're on the mainstream side,
you'd say these are ice particles.
There you go.
If you go slightly further back, slightly further back,
there you go, just as that green one's starting up,
this is the flight path.
So if you just take it back to the beginning of that--
and this is where they've attached the flight paths.
And you will see complete 90 degree turns.
You'll see absolute stops and reversals of change.
And it's incredible.
I wonder if it's just a kind of life that we--
I truly think that's the case soon.
I truly think that lives in space.
I think so.
I really do.
Like, the things they find at these volcanic vents
at the bottom of the ocean, they're like, oh,
we didn't even know that something could survive down here.
It could be a type of life that survives in the void of space.
And it just-- it wouldn't be a biological thing.
It would be some form of energy or light.
This is apparently what all the spooks were telling Tom
the long when he went to the Pensagon
that there's amoebas in space, the size of whales,
and that these things were essentially--
I actually told them.
Yeah, I remember when he was on "Fate to Black,"
and he was talking about that there are these amoebas in space
that are like, you know.
But why would they tell him?
And then he goes on those shows and tells--
I feel like that's a kind of a guy
that you tell some things that you want to get out.
And it doesn't necessarily have to be true.
No, no.
And matter of fact, it's more fun if it's not true.
And make them say as much cookie shit as possible.
So that the stuff that he's going to say that it's true
looks ridiculous.
And now all of those guys that gave them that information
are on the age of disclosure.
Exactly.
We should trust them, right?
We should trust all of these government spooks.
It's fun.
If you're playing, it's like the world
is a gigantic escape room.
You're playing a bunch of weird puzzles,
and you're trying to figure it out.
But nothing is what it seems.
Nothing's as it seems.
I think with Tom DeLong and the UFO subject
and two-stars Academy and all the things that have happened
since like 2017, New York Times, I have opinions on it
because I think I might be the first guest
that you've had on that wasn't already quite established.
So I've had to work my way up through social media,
through the interactions in the community,
to personal relations of people that aren't big names
or anything like that.
I've had to work my way up it.
So I've seen and been exposed to things
that perhaps people like Jeremy Corbell and others
who are already quite big names haven't seen,
because they're too big.
They don't need to be on social media looking at fucking comments
or like what's going on in the X space.
But if you are like that, you start to notice things.
And so what's interesting to me, despite what anyone
wants to say about Stephen Greer?
And I've got my own issues with Stephen Greer.
What's interesting to me is that the only person really
who was making noise prior to TTSA was Stephen Greer.
He was the one that was putting out Netflix documentaries
that were getting seen by millions of people all over the world.
And he was saying, you know, these are black budget
illegal programs.
This is an anti-congrational crime against humanity.
We need to be busting down the doors.
This is not exactly what they would want to hear
if they were inside the national security state.
There's this guy out there saying this,
what do you do about that?
Well, do you know how Tom DeLong got linked up
at the very beginning to all of this?
- No.
- So he's always been a UFO guy.
And because of his background and the money,
he was able to secure connections.
And he was very friendly with Greer.
He was best buds with Greer at one point.
In fact, there's a video of him when he's quite young.
And he's pointing out all of the witness,
UFO witness tapes that he's got on his library.
And he's like, you know, these are all,
I'm holding onto these for a guy.
He's got like 50 whistleblowers.
He's bringing this all out.
And this is before Greer, you know,
kind of made the announcement.
So it's obviously Greer.
And Tom DeLong's on Fade to Black.
And I want to say 2015 talking about this
where he tells the story of how a friend of his
at Lockheed Martin calls him up and says,
"Hey, we're having a family and friends meet and greet
over at Lockheed Martin.
Would you want to introduce the bosses to the stage?"
And he said, "Yeah, but I want 10 minutes
with your bosses afterwards."
And they were like, "Okay."
And so he went and he introduced them on stage.
And then he tells a story of being taken through,
you know, these white noise corridors
and down into this place where eventually he was chilling
with the guys at Skunk Works.
And, you know, these big directors
are all sitting in this room.
All right, okay, what is it you want to talk about?
This is where he pitches two to stars academy
of arts and science and this framework.
And what's interesting is on the radio,
when he's talking about this, he's saying,
you have to approach these guys
like you want to be of service.
You know what I was saying?
I'm being of service.
I want to help.
I want to help.
So you've got a disruptive rogue person out there,
Stephen Greer, saying all this stuff.
Of course, in commotion, what do we do about that?
I have no idea.
Suddenly, in walks a rock star, use me.
'Cause that's basically what he said, use me.
I'm happy to do whatever it was.
I am your conjurer into the public.
Now, no disrespect to Tom of May.
He's a lovely guy.
And I'm very passionate about a subject.
But I do think he was used.
And what you get from there, is the two-stars academy platform.
Suddenly, you have this official kind of green lit disclosure,
very soft disclosure.
There's nothing like Stephen Greer's disclosure.
And we're all being encouraged to partake
and support in this very, what should we say,
curated method of soft disclosure for the people.
I think that they were very worried
about what type of disruptive truths might come out
before it was time to talk about them.
And then suddenly, Tom DeLong was a very useful medium
for communicating this.
And when you see things like the WikiLeaks emails
between him and John Podesta,
where he's literally saying,
this is about bolstering PR for the military industrial complex
from a disenfranchised youth.
And the generations of youth today don't trust the government.
We want to change that.
We want to change the perception of the military
in the government.
He's literally emailing John Podesta about this.
So it's very clear that at the very least,
he was willing to be the messenger
of whatever message they wanted to give him.
And it just so happens that that message
completely counteracts what Greer's talking about
in terms of classified black budget programs
that have already cracked reverse engineering.
We cracked anti-gravity in October 1954.
You know, this kind of stuff.
It's like complete reversal of that narrative.
- Interesting. - Yeah.
- Interesting.
Well, it makes sense.
That's what's the term, useful idiots.
- Useful idiots. - Yeah, they love doing that.
- Yeah.
- You know, I've said it before, I'll say it again.
I know I've had people on this podcast
that were doing that with me.
- I know they were coming on saying
a bunch nonsense.
But you have to let them talk.
'Cause-- - For sure.
- The truth comes out in the wash.
- For sure.
- And I think what's interesting about the age of disclosure
is this narrative of the reality of what happened.
If it did happen, there's long Congress.
There's misappropriation of funds.
You're gonna need amnesty.
And so this is the narrative.
This narrative is we need amnesty.
So it's kind of a smart way to do it.
Do it in a documentary.
Have all these people, they're probably implicated
in some way.
- We need amnesty. - We need amnesty.
All these people that say that they know
about these programs with amnesty is important
because-- - You know what I'm saying?
- People have been, but what they've been doing really,
if they have been doing what we assume they've been doing.
We assume they've retrieved crash UFOs
and they've back engineered them.
We assume they've used that technology.
We assume they're aware that there's non-human intelligences
that are far beyond our technological capabilities.
And that we interact with them.
You've committed a crime against humanity
by not telling people that
because we all operate under the assumption
that we have an understanding of what our role is
in this ecosystem of life.
And if our role is not even remotely at the apex,
if we are being visited and manipulated
and if we're actually a product of experiments,
you should fucking tell us.
You can't, you guys can't be hanging out at Raytheon
in the fucking conference room.
- Can you believe this shit?
- Yeah. - Yeah.
- Would you go Rolexes on?
- You mother fuckers. - Right.
- Right?
(laughing)
- Tell everyone-- - But we can't handle the truth.
- Right, we can't handle it.
- They are right with the amnesty thing.
I think that's the pathway.
- I mean, look, these guys are not gonna,
what they stole, they stole, okay?
What they did, they did.
What the line of Congress, the lies have been told,
let's fucking find out what the truth is.
These guys, whatever they did, they did.
Okay, you didn't stop it then, let it go.
The more important thing is, let's find out if this is real.
That's more important than everything.
For the race, for the human race, the entire human race.
And the science and technology to have all this stuff
locked down like that and not allow the great young minds
that are coming up right now to have access to this.
- It's crazy.
You're wasting one of the most valuable resources
that we have with secrecy.
- I think there's so many different reasons
why they might want to keep this a secret
in terms of breakthrough energy and propulsion systems.
Like there's so many different implications to that, right?
- Massively disruptive.
- Massively disruptive.
And could you imagine some like whacked out fucking dude
with a zero point energy device?
- Or you imagine a guy who's running an oil company
who finds out they're about to do something like that,
like the fuck you are, like how this guy at MIT,
they just got assassinated in his home.
- Dude, this is, the wet works in the corporate world
is very real.
- This is very real.
- This guy was, he, one of the more disturbing theories
he had was that not only is a shift of the magnetic poles
that, here I'll send it to you, Jamie.
But his take on it was that the shift of the magnetic poles
is necessary in order to maintain, well, I don't wanna fuck it up.
- Well, like a natural earth cycle that has to happen.
- I'm sorry, I'm trying to think and look it up
at the same time. - You're good.
Here it is.
I'll send it to you, Jamie.
Sorry for the dead air folks.
Okay, so it says,
the assassinated MIT plasma scientist warned that earth requires
periodic magnetic reversals to sustain its field.
- Interesting.
- No reversal equals no dynamo equals the magnetic field dissipates.
The last time this happened,
and this in the tweet says no was flood.
(laughing)
- Oh, somewhere in the mouth, oh I know both these guys.
- This guy who has a whistle blow, yeah.
- Yeah, I'm on.
- Is that not loading?
- It's a clip. - That's my physics 101 fluid description.
- It seems like the clip's not okay.
Let's hear what you has to say.
It's really interesting. - Shit man.
- You mentioned that the earth's magnetic field
was constant in the last 10 years.
So yeah, is it right that the earth has lost 10%
of its magnetic field in the last 150 years?
And outcome.
- So, excellent question Alec, thank you.
So when I say the earth's magnetic field
has remained roughly constant.
What I mean is if you look over long-ish timescales,
its magnitude is roughly constant.
But of course it varies, right?
And it reverses sometimes, right?
And those reversals of the earth's magnetic field.
So you know, reversal meaning the North Pole
becomes the South Pole and vice versa.
So those happen.
And there's even interesting stories you can tell
about how those reversals of the earth's magnetic field
correlate with many ice sages and things like this, okay?
But the idea is that if you average over
these periodic reversals, right, or fluctuations,
the amplitude of the field has remained roughly constant, okay?
And the idea is that if there was no induction,
if there was no dynamo working, you would,
you and I wouldn't be talking, right?
The magnetic field would have diffused very quickly, right?
In within 10 to the five years,
the earth would be left without a magnetic field
and the earth's magnetic field protected
from cosmic radiation, right?
And if you were open to that radiation,
we, well, you wouldn't be here, like I said, nor would I.
Yep.
Thank you very much.
Wild.
And they just put bullets into that, dude.
Well, I, like, you know, it could, listen,
it could have been a robbery.
We don't know.
Maybe Massachusetts has a lot of robberies.
Fischer, they've got a lot of--
Fischer.
It's one of them East Coast liberal run cities.
It's got a crime problem.
Completely fucked.
And I'm sure, you know, as a MIT professor,
it's probably lived nice.
Yeah, I mean, it's possible.
It's possible, but it also is possible that somebody killed him.
And imagine if they killed him because he's telling us,
hey, it's about to reverse its magnetic poles
and we might be fucked.
A cataclysm might be coming.
Well, this is what I think there was a knowledge
of in deep antiquity.
There was a knowledge of cycles, of earth cycles,
and they were preparing for it.
You know, why are these structures built in a way
that's anti-science makes, that's resistant to incredible force?
The amount of--
Saxony woman.
Saxony woman's such a good example of that.
It's really an incredible example.
I mean, the level of ingenuity and also the fact
that they're finding that these walls go way deeper, right?
Because it's not just the excavation
where they're going deep down and finding new blocks of stone.
But just the walls, there's key excavations
going on around the walls.
They just keep going now.
So as I say this, this place was buried.
Maybe a lot of earth push up and submerged into the ground.
Clearly, this place experienced some form of global upheaval.
And what's really weird about a place like Peru, for example,
is that prior to the--
well, at the end of the last glacial maximum,
around 19,000 years ago, when the earth
started to warm up again, there were certain climatologically
stable corridors.
And Peru was one of those areas, which
was actually quite climatologically stable.
So at the end of the LGM, the last glacial maximum,
to the Younger Dryas, it's about 6,000 plus.
It's just 6,000 in change.
We've taken ourselves from horse and cart
to supercomputers in less than 150 years.
So the idea, the areas of the world that had stability
for about 6,000 years, couldn't create something incredible.
And then the Younger Dryas comes.
And it takes it all away for the most part.
It's very provocative in Peru, because of, again,
the existence of the inca structures
that are very quite pristine, actually,
and still standing, very simple.
And yet, they are surrounded by broken megaliths
and multi-ton structures that have gone
through incredible damage.
And what I was getting at when I was saying about that area
is the way the stones are interlocked
would protect it against earthquakes.
Yeah, dissipate the force for all these different areas.
It allows for the force, for the kinetic force,
to dissipate through the structure instead
of it being focused and blowing apart one area of it.
So it's clearly done for the purposes
of trying to prevent massive amounts of force.
Where would they get that type of a concept from?
It makes me wonder.
It makes me wonder if they did have a knowledge
of great cycles, you know?
Like the Adam and Eve story, you know,
the whole thing that was like classified by a CIA
for a minute, the Adam and Eve story.
It was classified by the CIA.
It was listed on their freedom of information at library.
Oh, right.
What was that again?
It was a deep research into cycles,
great cycles of cataclysmic destruction on Earth
by a guy called, his name was Chan Thomas,
but I think I was a pseudonym for a not real name.
And he actually had at the beginning of it,
like a series of people he had listed
who without whom this book would not be possible.
And it was like, you know, top five star generals
and like, it's like, okay.
So, you know, this guy had the, you know,
Chan Thomas, the Adam and Eve story,
it's all about this great cyclical cataclysm
that does take place every,
was it like 12,000 years or something like that
and that the ancients had a knowledge of this.
And I think that this is something
that we will probably begin to realize
is that somewhere in deep antiquity,
there was a level of knowledge
that is very contradictory to what we understand now.
And I think places like Peru, places like Egypt
and others, Malta, Gobekli Tepe, of course.
It's becoming very palpable
that there was something before this.
Also, when you see the spikes of the Earth's temperature,
when you see those ups and downs, those glaciers
and those warming periods, like,
what is there a uniform time in between those spikes?
- In terms of-- - Is it like predictable?
- I don't know.
- Is it like every 12,000 years it gets a little funky?
- I imagine it's probably about 12,000 years comes back.
- But this is, again, this is one of the things
that people in, like, you know, the conspiracy world
would say they're keeping from us.
They're keeping this knowledge.
Yes, there are 12,000 year cycles
and we are just not being allowed to know that knowledge,
but that seems weird.
- I don't know.
- Well, they have models of the past.
- Exactly.
We, of course, samples and things along those signs,
but we do know that it's never static
and we do know that there have been these periods
and they do look like, like, you know, a strange graph.
It's not a flat line, like, it's all getting warmer.
No, it's always crazy.
So, like, what is causing these dips and these rises
and these weird periods that seem to be rhythmic,
you know what I'm saying?
It's not like there's an immense time of heating
in a small time of cool rain.
And then, no, it's up and down and up and down.
It's almost like the heartbeat of the planet, isn't it?
Yeah, look at the planet as a form of conscious entity.
As certainly capable of producing conscious beings
on top of it, so I wonder about that
and the Mycelial Network, you know,
these kind of elements to the planet
that almost seem like neurological architecture.
- Well, even if you could look from afar,
if you could, like, have the concept of the earth,
like, the waters moving, the clouds are moving.
- Yeah, yeah, exactly, exactly.
- It's like a live thing almost.
- Yeah.
- Well, it's not moving because it's tissue,
but that doesn't mean that there's not a force
that's all connected and working in harmony.
- Exactly. - Yeah.
- I mean, that's why I think plasmic intelligence
is very interesting, 'cause it's this idea
that a self-organizing plasmic structure
could in some way create consciousness inside of it.
And we don't understand where consciousness comes from.
We still don't.
So it's very open to the idea of possibility.
And I've spoken to some pretty interesting scientists,
like Dr. Salvatore Pais, he's the guy that was responsible
for the, you know, the UFO, US Navy UFO patents
that got put out a few years back like underwater,
undersea plasmic generators and things like this.
He was a US space force engineer
and he is very much of the opinion that plasma itself
is capable of becoming conscious, not conscious on its own.
But 99% of the observable universe is made out of plasma.
99%, okay?
Isn't it weird how we get taught about solids, gases
and liquids, but not plasma, the fourth state of matter
that's 99% of the universe?
Why aren't we taught about that in school?
- That's weird. - Weird, right?
Do you ever remember being taught plasma in school?
- Well, when did they start learning that?
- Well, I mean, I don't know,
but it's certainly before my time in school,
I didn't get taught it, you know what I mean?
- So why would they, are you saying
that they perhaps are hiding this?
- I think there's things within plasma physics
that are so novel and exotic,
like any self-organizing EVOs, exotic vacuum objects
and their science that they're studying
and have you ever heard of the Sapphire project?
- No. - It's kind of gone quiet now.
How put off got involved for a minute?
Where they're claiming to bottle the stars
and they're creating these plasmic,
self-organizing plasmas inside these chambers,
but they were claiming could transform metals
from one metal into gold
or, you know, like, transmutation of elements
and complete revolution of propulsion and energy,
and then it just fizzles that.
- I always wondered about that with plasma.
- Why were people really trying to make gold?
- That seems so crazy that you think
you could make something like that.
And I always wonder, did maybe somebody used to make it
and they have like this story
of how people used to make gold?
Like if there was, like imagine the caps
of the great pyramids are in gold, right?
And some, what if they're made that gold?
- Right. - Right.
- They'd gotten to, it's not impossible
to assume like if the earth creates gold,
it's not impossible to think
that we could take the elements
of the earth and create gold as well.
It's got to be a way to do it.
- It's got to be a way to do it.
- Is there a way to create gold currently?
- Oh no, that's a good question.
- Let's put that into our sponsor professor.
- I'm gonna look, and how do you make gold?
- Well, let me show you what I asked first.
The Alchemy history of gold.
Automatically brought up ancient Egypt metallurgy,
lending four classical elements.
- Whoa.
- So there is some sort of cross.
- Earth, air, fire and water, and you make gold.
- It spread to Greco and Roman texts
via the Islamic world in the eighth century.
- Wow. - Were they made experimental methods?
So, I mean, gold plating is maybe what they're getting at.
I don't know if that's--
- Unless they were trying to create gold.
- A lot of alchemy is also kind of personal alchemy of the soul.
And so it's not always necessarily meant
as a physical thing, turning base metals into gold.
It's more about turning you, base human,
into a golden person.
Like a lot of the times in alchemy,
it's more about the personal development of your spirit
and your soul.
- Mixed together with science.
- They're clearly talking about metallurgy here.
- Oh yeah, I mean, like right here.
- But I mean, if gold was a valuable part of technology,
which it is, and it had conducting aspects to it,
it's very conducive, where it's very good at conducting.
- Conductive, yeah.
- And you can make it modern methods.
Particle accelerators, like serons, large rond collider,
achieve this by slamming lead nuclei together
in near miscollisions, generating intense electromagnetic fields
that eject three protons from the lead A2 protons
to form gold, 79 protons.
The alice experiment detected up to 89,000 gold nuclei per second
during lead lead runs, totaling or lead lead runs,
much for which point.
Totaling 29 picograms over years, trillions of times less
than needed for visible amounts.
- Whoa, that's crazy.
- Trillions of tons of leads in need for visual amounts.
- The only 1980 Glen Seaburg transmuted to bismuth
into gold isotope using carbon and neon beams
at Lawrence Berkeley Lab.
- Maybe they used pyramids for lightning strikes
to create gold with iron ore streams.
And next thing, you know, you get gold.
That's why that's so much gold.
- I mean, who knows?
Who knows what they figured out?
- But we should be able to ask these questions,
and don't be concerned.
- Well, it's certainly fascinating.
- It's certainly fascinating that people have been obsessed
with the possibility of making gold.
Obviously, it's because gold is rare and very valuable,
but here's the question, why is gold very valuable?
You can't make a weapon out of it.
How did it rise to prominence?
- Isn't there like some like translations that are,
from like the Old Samaritan, Babylonian text,
where it's kind of like we were made to mine gold?
- That's all Zacharias' sitchin', right?
- Yeah, Zacharias' sitchin', though, is very controversial.
I'm too stupid to know who's right.
But I do know that I always, when I talk about Zacharias,
I always talk about the website.
Sitchin' is wrong to talk about.
- Yeah, yeah.
- So there's a website, it seems like he was the only
one that was buying into that.
And, you know, when I talk to Wes Huff,
he doesn't even think that Zacharias' sitchin'
could actually read Samaritan.
- Just fucking guessing.
- He might be, you know, I don't want to disparage
the great man 'cause he's not with us anymore,
but he might not have been totally honest
or he might have been convinced.
You know, some people just become true believers.
- Yeah, no, for sure.
- What he's saying essentially is that he tried
to learn Samaritan and Wes knows many different ancient
languages, like he's brilliant, brilliant guy.
He's like, I couldn't figure it out.
I couldn't figure it out, I couldn't do it.
Now, obviously, there have been translations of Samaritan.
There are people that can do it.
It's incredibly difficult.
And it's also apparently not related
to any other languages 'cause it's so ancient,
it's weird, and then the cuneiform and all that stuff.
It's like, good luck, good luck figuring out
what they were saying.
- I know, I always wondered how you actually
kind of come to those positions on it.
- It is incredibly complex and the only people
that really know are the people that are that deep
into it that they can read it as well.
And they don't seem to agree with him.
But at the end of the day,
like whatever was going on over in that part of the world,
they had a lot of discussions of things that came
from the sky.
They had a detailed map of the solar system,
which is very weird.
A 5,000 plus year old detailed map of the solar system
with all the planets, Jupiter, Mars, Earth.
It's like, what's that?
- Yeah, how are you achieving this?
- What are these giant people with monkeys on their laps?
- And like, you know, Gilgamesh holding a lion,
like it's a little cat in loads of statues.
- Why does all these dudes have wings?
- Very typically dismissed as kind of like, you know,
oh, it was just, you know, an intellectual giant,
right, you know, giant of power and rigality.
And it's like, okay, but there's a lot of them.
There's a lot of references.
It's all across the world to these giants.
So, you know, I find that very interesting
and, you know, the more the reality of fossils.
- Yeah, yeah.
- This is the reality of fossils.
There is a tiny, tiny amount of all the things
that die that leave a fossil.
- Right.
- Most things don't leave a fossil when they die.
They get absorbed by the Earth, eaten by scavengers,
bacteria, you rot away, the sun bleaches your bones,
and it's over.
Within a few hundred years, there's nothing left.
Occasionally, you get lucky.
And someone or a dinosaur gets falls into a bog
and you get evidence.
But if you don't get that evidence,
it doesn't mean it didn't exist, you know?
- Exactly.
- The giant one is a weird one.
- It is a weird one.
- It's a weird one, because there's so many depictions
in ancient literature of giants, of giant beings.
And you gotta wonder, okay, are we talking about like men
from Iceland?
- Right.
- Are we talking about giants that are just
enormous human beings, like those big chads?
- But those dudes that do those strong man competitions.
They are like the mountain.
So those guys all live in Iceland, they're all in Iceland.
- Right, right.
- But the fuck is that about?
- Exactly.
- Well, yeah, what is that about?
- Vikings.
- Right.
- They were the Vikings.
And that's what's left.
But is it that?
Are we talking about that?
Or are we talking about another race of human
that's even larger?
And if they found it, do they tell us?
Like, they tell us about certain.
They tell us about Denisov and similar to us.
They tell us about homo, Julien, similar to us.
Just a little bit bigger.
- They found a fucking four foot skull.
Do they tell us?
- What is like, there's like snippets, isn't that,
from the black and white days, 1920s,
where the Smithsonian kind of quickly covered things up.
And like, this is very much the smith giant bones.
- It's the giant bones from a giant human.
- Yeah, there seems to be.
- There's all these Native American stories
about giant right-headed humans.
- And, you know, in the burial mounds,
so supposedly.
- But here's, the thing is, like,
this is the real question.
Would, if archaeologists stumbled upon a four foot head,
and they were under the, you know,
the guidance of the university, would they shut it down?
- That's such a good question.
- Would they release it?
- I am fascinated by the fact that I have to ask
that question, because I would assume
that archaeologists found, of course,
they would release it.
We have found evidence of a giant.
Like, a giant human being,
and this might be one, the first one we find,
it might have been a whole race of them
that existed 20,000 years ago.
- Yeah, would they tell us?
- I don't know, Joe.
- I don't know.
- Here, as we don't know if they would tell us.
- I don't know if they would tell us.
- They might not.
- The government might step in and say,
"You are not allowed."
- Well, that's the thing is, it might supersede
just academic circles and archaeology.
It might get a little bit more serious.
Why?
The implications of our ancient history,
and, you know, what exactly was taking place.
I am fascinated by some areas that seem to have a level
of, kind of, like, theologic reference to them.
So, you know, the book of Enoch and the Watchers,
and they descend down on Mount Hermann in Balbek, right?
So, that's Balbek, which is Balbek,
the Lord of the Becker Valley,
and Bal, the Storm God, like the one that everyone,
you know, talks about, the sacrifice is to Bal.
- It's also the place that has these insane trillions stones.
- That's just about to mention them.
- Yeah.
- That's it, the trillithons.
- The trillithons.
- The trillithons.
- 800 to 1,000 tons.
800 to 1,000 tons a piece.
- And they're not even laying on the ground.
- No, they've been lifted up.
They've been lifted up quite significantly.
And this is the thing, man.
It's like, you know, somewhere like this,
so you've got this weird story about this is a,
basically, 30 miles away from there is Mount Hermann,
where the Watchers apparently came down from the sky.
- Look at that fuck.
- And then you've got these impossible blocks in this,
and the quarry there as well, the quarry there,
you have like the stone of the pregnant woman,
which is like 1,250 tons.
And there's another one there that's like 1,500 tons.
Like these were never fully excavated,
but they're there, getting ready,
and they've just been documented in situ.
But then, yeah, 300 meters up the road or less,
is the Temple of Jupiter, which again,
mainstream academics will attribute to first century Romans.
But the first century Romans had like wooden pulleys
and like little wooden cranes.
Like this is insane.
This is a 800 to 1,000 ton block,
three of them that were lifted up.
I think it's like at least like 20 meters or something.
You know?
(laughing)
- Yeah.
- The Jimmy Ghibli shows us a photo of it.
I always love looking at it.
- Especially if you can find one with a human being,
standing in it like Corsetti, if he's like--
- Yeah, this is a good way to work with Corsetti.
- Like it's phenomenal how big these are.
- It's so crazy.
- It freaks me out.
- It's so crazy to think that they,
what we believe, they use some sort of stone tools
or copper tools and pulleys.
- It's a decent place.
- And you got it out of the quarry, how?
- Well, then--
- Yeah.
- Oh, that's not--
- No, that's a brilliant place.
So that's Ollie and Tentambo in Peru,
fantastic area, which I'll be showing in my neck.
It's the next episode of Ancient Technology.
- It's the Trillium Stone.
- Trillithin.
- Trillithin.
- Trillithin.
- Trillithin, Trillithin stones.
- Trillithin stones, yeah, ball back.
- And one of the interesting things
that Corsetti was saying is that's not even a place
where they take a lot of tourists to.
- No.
- Okay, so there it is.
So you see the person and then look above
how big those stones are.
- This is not sensible to attribute to first century roads.
- Now, go back to just the Lebanon ones.
That's it.
They are so big.
- That one.
And then there's a good black and white one.
You see with the yellow, yeah, they go these two little dudes
sitting on top of them.
- Crazy.
- Absolutely phenomenal.
And then, you know, the smaller blocks on top,
that is first century Romans.
Absolutely, without a doubt.
There is obvious evidence with the temple of Jupiter.
Yeah, they built it on top of an ancient, ancient foundation,
which they were not capable of doing.
- Probably a landing pad.
- This was so many people say that, you know?
- Whatever I post like any, it's like there's a landing pad
for the spaceships.
- For the spaceships.
- Landing pad for the ships.
- But what's crazy about that as well?
- It's just a real quick aside.
Well, not even an aside.
Isn't it addition to that?
Is the, okay, so the mainstream attribute says
the first century Romans.
But then the Romans liked to brag about all the things they did.
And third century Romans bragged about the Lateran obelisk
that's now sitting in Rome.
And the Lateran obelisk is about 350 to 400 tons.
That's the heaviest recorded lift in Roman history.
These are 800 to 1,000 tons.
They never even mentioned them.
So it's weird that we attribute it to Romans,
but it's because within our model for history
we can't not, if we're going to listen to academics, right?
So you have to then invoke fringe theories.
- I had a Rep Luna on the podcast.
- Oh yeah.
- She was the one who really got me to read
the book of E-Nine.
- She's digging in.
- Oh yeah, she's digging in.
- She's all in on the UFOs.
- I know she is.
- I know, yeah.
- Who do I mean, Arch, is she useful to them?
You know, it's all the things we're, maybe.
- It's hard to know.
- But when I started reading it, now if that was included
in the Bible, because it really was rabbis,
I decided that it didn't jive with the Torah.
- Right, right, right.
- And so they said, "No, no, no, this one's too crazy."
- If that was in the Bible, that's what we were talking about.
- Things would be different.
- Can you wait for it to be turned?
- The watchers came down to me.
But meanwhile, that is in the same area of Kumaran
written down as the Book of Isaiah.
So all these things that are included in the Bible,
that's there.
- That's all the same.
Why are we ignoring some of it?
Like that's really crazy.
Why ignoring the stuff that seems the most kooky?
- Again, I think that those probably maybe disagreements,
because I mean, there's so much change for the biblical canon
from all of these different, you know,
councils at the Council of Nice Year,
all these different sense rings and changing
of the Bible.
It's probably personal issue.
It could be something as simple as just someone
who personally did not believe that.
I was like, that's bullshit, remove that.
That's not real.
There's no way they were giants.
But I love how at the beginning of the Bible,
it's like they were giants in those times,
and the times before.
Anyway, moving on, never mention it again,
like in any sort of real context of,
and then like, you know, David and Goliath
in a few situations.
But no, I really am starting to wonder
if there was a giant race that was like,
I think there was.
- I really do.
- The Native American depictions alone.
- Yeah.
- There's too much story, too many stories
of enormous men that they had to kill.
- Yeah, yeah.
- And their history, their oral tradition
goes so far back.
- Yes, it's so far back.
- I mean, imagine we're talking 10,000.
Now that we know that human beings lived
in North America, 22,000 plus years ago, right?
So the fossilized footprints that they found
in New Mexico.
So that's 22,000 years.
So imagine 22,000 years ago, these things were a real thing.
How many of them have you found?
You haven't found any bones of humans
from 22,000 years ago in North America, have you?
- No, right, so why...
- Exactly.
- Does the Smithsonian have them?
These motherfuckers?
- If they really do have a giant down there,
do you imagine?
- I think they probably do, Jon.
- Do you imagine if there's a tomb
that you have to go into?
It's like a vault that cranks open the vault.
- It's like the history version of Area 51.
- You see a fucking head, the size of this table,
and you're like, what?
- That's what we're dealing with.
- That's what we're dealing with.
- Yeah.
- Yeah, and we had to kill them off.
- Maybe.
- It probably makes sense.
Why would you let that motherfucker live?
- Right.
- You got a 10-foot tall, 12-foot tall.
- That's a problem.
- Yeah, 2,000-pound human with each people.
- That is a problem.
- I wonder, you know, we'll say, always get this,
'cause like the watches themselves
are never described as giant beings.
- Right.
- I wonder where the giant came into the equation.
- Well, isn't it genetic?
- Compared to them?
- Maybe, 'cause maybe there were slight aliens
like alien grays or something.
- Sure.
- Well, look at the description of the Nephilim,
how they destroyed everything.
- Yeah.
- Like they created this thing,
they consumed everything, destroyed everything,
including mankind.
- Mm-hmm.
- What does that sound like?
- It sounds like us.
- That sounds like us.
- It sounds like us.
- And also, like you're saying mankind.
Like mankind, what are you saying?
Are you saying aliens?
Are you saying like who wrote this?
- Yeah.
- Like what does mankind?
- For sure.
- Like what does that term mean?
I bet you're not saying man.
I bet you're probably using an ancient language
to describe whatever the dominant force was
at the time that's writing all this down.
What are we talking about?
- Yeah.
- What is these watchers?
They made it with humans?
So what are they?
And they created something to destroy everything?
What?
So okay.
What is that?
What are you talking about?
And doesn't that sound exactly humans?
Like what do we do?
We fucking destroy everything.
We destroy everything.
We light things on fire.
We suck all the fish out of the ocean.
We throw a garbage in it.
We are so destructive.
- Yeah.
- And we're so consuming.
We consume, you know?
We're one of the only animals that dies
'cause we eat too much.
- Yeah.
- Right?
- We're one of the only animals.
- Yeah.
- Well, we're one of the only example on this planet
of the level of intelligence that we have.
I mean, it's just phenomenal.
I mean, really quite phenomenal
when you consider all of the various avenues
of evolution that have been given the opportunity.
- We have a massive leap.
- Yeah.
- Phenomenal leap that has to in some way
have been intervened with, in my opinion.
I mean, it's such a quantum leap
in our ability of cognition and the brain size.
I mean, I do find the stone-daped theory very interesting
and, you know, the concept of using psychedelics.
And I think there's a role to play in that for sure.
But I just think that when you have such a novel trajectory
change from every other creature,
every other animal on this planet,
that tells me that there is something fundamentally accelerated
in humans.
And whether that can just be put down
to shamanic use of psychedelics, I don't know.
I think that when you invoke again,
all of these various theological stories,
it becomes clear that something was interfacing with us.
And perhaps at one point, we were interfacing with them.
And there was a communication in a relation
that has since long degraded after, you know,
cataclysmic outreaches and, you know.
- I think the evolution that came out of psychedelics
and primitive man was the escape
from the barbaric nature of our roots.
- Right, right, right.
- I don't think it's necessarily the development
of the human brain.
I think it's probably in a way too.
It's also a way to use the human brain
with its primate background, but soft in the ego, right?
- Yeah, yeah.
- And endorse a feeling of community,
like promote a feeling of community and love
and the connectedness that you get from psychedelics.
It will allow you to traverse the timelines
between incredibly barbaric hunter-gatherers
with stone-tip tools to agrarian societies
where people are all living together
and cooperating and it makes sense.
But what doesn't make sense is the giant leap
to being a human in the first place.
- No.
- It's kooky.
- It is.
- And it's in the Bible, at least it's in the book of Enoch.
- It's the crazy part about it is that they literally
describe what we're, and not just us,
like many people have theorized.
Like, have we been a product,
are we a product of genetic manipulation?
Are we a product of accelerated evolution?
- Well, again, my own experiences,
I just feel like there is,
there is quite obviously a vast intelligence spectrum
out there, in my opinion.
And I think it goes beyond our own perception of space
and time.
And I think that there are likely things
that can come in from realms that we just don't really
believe are real, like the astral.
And even the realm of the imagination is an interesting thing.
What is this place inside of our heads
that we can instantaneously create anything we want
and all things, including everything on this table,
once came from inside someone's mind?
Like, we are excreters of ideas into reality.
We kind of render reality into something
that nothing else does.
And I think that there is a spark within us
that speaks to what people would call a divine spark, for sure.
And maybe that is a divine spark.
Maybe it's a highly intelligent race
that intervened and gave us that spark.
But we are entirely different.
And I do think that as we begin to get deeper and deeper
into kind of the physics of our reality
and our fundamental connection to it,
we start realizing that our physiology, our body,
is like an antenna, it's like a technology.
It's an instrument for picking up on signals
and perhaps even consciousness itself.
I don't know if you're familiar with microtubules
and the orchestrated objective reduction theory
by Stuart Hameroff and Sir Richard Penrose.
- How many times you bring that up to people and they go,
oh yeah, I know you do.
- Oh, I know exactly what you're talking about.
Well, I hang out with some weird fucking people,
I just thought I definitely have heard
Don Contrassal say to you, microtubules man.
- Yes. - Microtubules.
No, so I did an interview with an anesthesiologist
called Stuart Hameroff and him and Sir Roger Penrose
developed a model called the orchestrated objective
reduction theory or ORC ORC looking at microtubules,
which are these tiny helical structures inside our neurons.
And I forget the exact metric,
but it's something ridiculous, like 10,000
microtubules per neuron.
So it's just, you know, this incredible architecture
of these tiny little helical structures
that are apparently so small that they interact
with quantum vibrations in fields.
That's how fine and tiny they are.
And the reason I bring this up
is because I think that we're getting deeper now
with things like the ORC OR theory
into looking at the structures within humanity
that actually seem to be receiving nodes
or receptive nodes for energy that could then be translated
into consciousness.
The old idea of, are we generating consciousness
from our brain or are we receiving consciousness
and we're just a conduit for it?
Yes.
And I think the evidence is getting a little bit more clearer
that we're a conduit.
And I just wonder if that's evolution naturally
or if that's, you know, interaction
from these others that have come and meddled
with our genealogy.
It's a good question that we'll have to ponder
when I come back from peeing.
You do that.
Let's, yeah, we'll pause.
No worries.
All right, let's back.
Well, Jamie brought something up, which is a really
interesting video that I took when I was out in secara
in Egypt again with Jeffrey Drum.
He was taking me through.
And, yeah, this is an awesome place.
So just for context, before we play it,
you know, take it back to the beginning.
This is inside the pyramid of UNAS in secara.
And this is deep down inside of it
inside what they call the burial chain.
But now you see all of these amazing Arabic artwork
that's been quite relatively crudely scratched in.
Now, you see that glow?
That's actually calcite crystal and that's limestone.
Now, the entire back of this chamber, like this wall,
the back wall, the other wall and the ceiling and the floor
is made out of a slab of calcite crystal.
But what's really interesting about this
is that when you take a flashlight
and you put it in a certain angle on this wall,
something very interesting appears.
Boom.
Ha, and otherwise invisible etching of an individual.
You can see the navel, the belly button and the arms.
And this is completely invisible
until you get that flashlight.
Now, these have been actually smoothed,
oh, I'm gonna go promote for my episode.
But these have actually been smoothed
into the calcite crystal itself.
And then obviously these Arabic aramaic writings
and pictographs have been scratched on afterwards.
But clearly, this is the original artwork of this chamber.
But it's not perceptible without a very specific angle
of light that creates the shadows.
And these are on the other side of the wall as well.
I think in this clip, maybe he doesn't show it.
But very, very strange.
Now, this entire pyramid is acoustically profound.
I mean, the acoustics inside of this are unbelievable.
The amount of echo that you get.
And the entire secara site, we went around it.
And I mean, my God, it's a weird site, man.
You've got, again, just incredibly huge slabs
of rose quartz granite.
And there's one area that's like on the other side
of the pyramid, not even near the entrance,
which is just this huge port colors made of granite
with interlocking pieces where it clearly,
another piece of stone was slid between them.
But this is nowhere even connected
to the pyramid infrastructure.
And they don't say anything about it.
Strune across this entire place.
You've got huge blocks of granite with drill holes in them.
You can see the striation marks going all the way through them.
And his opinion, Jeffries.
And I think there's merit to it because in Cairo Museum,
there's a little cabinet of laboratory equipment,
like jugs and apothecary bottles that were recovered
from secara, including a little plate.
There's like a little plaque.
This wasn't included.
This is put into the actual exhibition.
But it's tucked into the corner of Cairo Museum.
You have to find it, and you have to really look for it.
And there's a little plaque saying that the area of secara
was a laboratory.
And again, like this completely contradicts
all of the things that they say about ancient Egypt,
but it's in the Cairo Museum.
It's literally written as the ancient laboratory of secara.
And so what's going on there?
Why is there a contradiction like that that's being acknowledged?
And it's truly just an incredible place
of these shadow figures and the acoustic resonance
of the site, the rose granite.
So why do you think that it was originally
these carvings were in the wall, and then
they wrote on it afterwards?
Well, I think it's just another case
of a later civilization coming across an incredibly amazing place
and carving on it.
Maybe they didn't even see these figures
because you have to have a very specific type of light
to actually be able to see them.
You have to get it at that angle.
You can't detect by looking at it.
There's some variation.
I mean, you can see when you actually
know what you're looking for.
A little bit of wiggle.
But barely anything.
It's like really hard to perceive.
So maybe they didn't even know that these things were down there
when they went, there's another part of this
when you're going through the chambers
where it's rose granite, rose granite,
and then plaster where you've got hieroglyphics
pulled on the top and you can actually see the plaster
is kind of bleeding off into the rose granite.
So it feels like they found it.
They slapped some hieroglyphs on it.
They put their own veneration around it,
but it was not an original structure
of the Egyptians once again a place
that they found and settled around.
But it's just weird that in the Cairo museum,
you have this tiny little shelf full of beakers
and measuring jug type things.
And it says that the lab complex of Cairo
just doesn't make any sense in comparison
to what they're trying to tell us
is the reality of this place.
So that's weird.
- It's all weird.
- It's all weird.
(laughs)
- That's why the bottleneck of talking about this stuff
is so infuriating.
- This is the same place by the way we have the Serapim,
the 80 ton boxes that are precision marble tub
that was the Christopher Dunn went down into
'em was like these have been machined.
- Yeah, let's chained.
- Pull up photo of those, please.
They're strange.
It's like, what do you think they were doing with those things?
Like what was the purpose?
- Well, you know what's interesting is--
- What was the drill?
- They were, so these things are absolutely incredible.
And there's a few questions with this.
One, if you go onto that image, zoom out,
let's go to that image on the right where you've got the entrance,
just the entrance into the, yeah, this one here.
So this is the entrance into the Serapim,
or the Serapim, how have you wanna pronounce it?
It's a subterranean labyrinth,
and these corridors are extremely small.
There's actually a half finished one sitting
in the middle of a corridor,
and you can kind of really get a scope for the size.
But these are 70 ton, 70 to 80 ton granite sarcophagi.
They attribute it to the apis balls.
They say that there was a cult around this region
that venerated the apis balls,
and that these were burial chambers for the apis balls.
But you know, the, you know, it's funny about that,
is the only thing that they have to evidence this,
is no, no bones of balls, or anything like that.
Well, they have is a single hieroglyph on one of these,
one of these boxes of a ball.
I said, they have a hieroglyph with a ball on it,
and that's why they attribute it to the apis balls.
But regardless of the fact that these are precision carved,
80 to, you know, 70 to 80 ton granite marble tops moved boxes,
with even more precision inside,
they're even more precise on the inside,
which is strange.
You wouldn't necessarily need them to be that precise
if they're just a funerary boxes.
But the precision is actually more impressive internally
than it is externally.
And how long would it take to make one of those?
Mike, here's the question.
Make it move it, put it in place.
Make it move it, put it in place.
That balls long dead.
Let it go.
Let it go, dude.
Yeah, it's not that important.
How many finish that thing?
That's crazy.
These things are nuts, man.
Absolutely nuts.
And there's so many.
This is one of the big things that Christopher Dunn saw
and was just like, nah, nah, there's just no way.
Look at the people standing next to those stones.
Yeah, man, I've been inside one of these.
That someone moved it there and then put that other one
on top of it.
Unbelievable.
When?
Who?
How?
Yeah, and again, like, you know--
To say that's not a mystery is nuts.
It is nuts.
And also, if you go on that image where they're shining
the light and someone's leaning on it on the right hand side,
yeah, that one there.
So many of these, the boxes themselves, it's so precise.
But the actual writing is extremely crude.
It's been scratched on.
It's basically just been scratched on.
A lot of them, it kind of feels like, as a lot of these
pharaohs did, they just went and slapped a car too,
shone it, I owned this.
This is mine.
And so, you know, the exterior work contradicts
the advancement of the actual box itself.
It doesn't make sense.
There's only one in here that's actually got 3D,
actual carved in artwork, and that one actually does make sense.
But these ones are all chicken scratch.
It's just been scratched on.
Of course.
So which is what people do?
Which is what people do.
I mean, a lot of history of human beings
doing that to ancient things.
Yeah.
If you've got that third image, actually,
that's an interesting image, because you've
got these such low quality, that's a shame.
But you can actually see these dimples
where they've smoothed out the stone.
And what's weird about this is that--
so if these were funerary boxes, you
would expect the external to be the most impressive,
because that's what people are going to see, right?
But instead, you actually have a lot of malformation
on the boxes.
And one of the theories about this--
and this is something that there we go.
It's a good example of this.
One of the theories about this is one
that Jeffrey Drum bought up for me--
is that whatever was going on inside of these cases,
the exterior had to have absolutely zero critical imperfections.
So any cracks, anything that was problematic
would have been dissolved out, smoothed away.
And you have this weird dimpling on a lot of these,
and some where you can actually see a crack where the crack's
been removed, and it's been kind of smoothed out.
And then inside, it's like 90 degree just perfect.
And so it just kind of contradicts the idea
of it being for the funerary purpose.
You'd expect the outside to be absolutely perfect
and beautiful, but it's not.
It's all kind of mal-shaped.
And as if they were trying to remove any sort of cracks,
anything that could cause a structural problem
and then inside they're perfect.
So it does make me wonder about the real purpose behind this.
Why are you assuming that it would be cracks?
Why wouldn't it just be that they didn't have a need
to finish the top of it?
Because some of them are finished carpentry.
Well, some of them are finished quite profoundly.
And then you have others that have
got these big dimples in them where it just looks like they
were trying to remove anything that might
have been a critical damage to the structure.
Obviously, this is guesswork.
Right, but the purpose that would be to keep it
from cracking all the way through.
To keep it from cracking all the way through.
I just find it very interesting that the inside
is more impressive than the outside for something
that's meant to be viewed as a funerary box for.
Right, an enormous funerary box.
And an enormous funerary box.
Does anybody have a wacky far out theory
of what they were actually for?
I mean, there's always some--
I mean, one of them that I find interesting
is the idea that they could be like some form of like a sound
bath, like an isolated chamber where they would go into
and have some form of experiences.
So you've got to count on someone to move that fucking thing?
You know, there's such a strong--
there's such a strong evidential trail
of acoustic sciences in the ancient past,
especially archaeoacoustics in terms
of the actual architecture itself, like the pyramids.
They're designed to resonate like one of the most interesting places
that I've been to in terms of looking at the acoustics of places,
as well as Malta, the island of Malta.
And the island of Malta is very interesting
because when the Bronze Age settlers from Sicily
and other areas of Italy came over to Malta for the first time,
they discovered an island that was absolutely
littered with megalithic sites.
And Malta has got the highest concentration
of megalithic sites in the world, but there were no people.
They all gone.
No one knows who they were.
It was just a land full of these incredible megalithic temples.
And one in particular called the hypergeum of Halseflieni.
Now, the hypergeum is fascinating, dude.
It's a subterranean, huge, huge temple
that was discovered by road workers.
And they were literally just chipping away at the road
and then it collapsed in.
And they find this huge, what they call a necropolis,
because they found hundreds of skeletons down here.
This thing is incredible.
This is all carved out of the limestone.
And it is a overlapping geometric series of chambers
that is so obviously acoustically tuned,
that if you wanted to search hypergeum acoustics,
it will come up with studies where they've noticed
that this is absolutely a deliberately acoustically tuned
complex, go on the actual website, not images.
That's an interesting one.
Whether or not it's entirely accurate,
someone's comparing the hypergeum to the human ear,
specifically because of the fact that this place
absolutely is acoustically tuned to resonate
between 110 and 115 hertz, which is the bandwidth
to activate certain brain states, like alpha and theta brain,
where you can get into more meditative states of consciousness.
And only 20% of this site is accessible to the public,
70% of it's locked off, and they treat it like a skiff.
They take your phone, they take your camera,
you can't bring any audio recording devices into it.
Nothing.
Very curated tour for like at 30 minutes and then out.
Why is 70% of it locked off?
That's a great question.
They say it's for preservation of the site
because it's such a delicate, neolithic, it's prehistoric.
They believe it's prehistoric.
And again, this speaks to what was going on in prehistory
because this is a acoustically profound series of chambers
that have been carved out of the limestone bedrock
by people that we attribute bone antler tools to.
Chippin' aware that it was bone antler tools
and they made something as profound.
So it's prehistoric?
Well, they dated to a, I think about 5,000 years ago,
about five, five, five, but it's mainstream.
Mainstream, what?
Mainstream.
Yeah, yeah.
Carved.
Carved.
It's carved out of the bedrock.
Out of the bedrock.
Out of the bedrock, it's huge, huge thing.
And what's even weirder about it is that they found
all these elongated skulls at the bottom of it.
And one, I've seen one personally.
I went to the Museum of Valetta in Malta
and saw one of these elongated skulls.
What's very interesting about these skulls
is that they actually lack the sagittal suture
that we have going down the back of the head.
So, you know, we have this sagittal suture
which pushes the growth plates together
as you come from the birth canal.
Not that one.
The third one, sorry, the fourth one.
That one.
And then there's other images which are actually
the one below it where you've got skulls recovered
from the hypergym.
So, this is the elongated skull.
This only got the horizontal suture, no vertical suture,
which is what all humans have, a vertical sagittal suture.
Now, apparently, hundreds of elongated skulls
were discovered in the hypergym,
but only a couple of them were on display in Valetta.
And I've got a couple of friends who are in,
have you heard of the Knights of Malta?
- No.
- It's a kind of a secret order, a bit like Freemasonry.
- Oh boy.
- It's spawned from the Vatican.
The Vatican basically threw these people into Malta
and said, "Fuck off and go do your weird stuff over there."
But now it's a very connected, you know,
kind of like with the Vatican order,
the Knights of Malta.
Very powerful, a very powerful group.
It's very much in the geopolitical world stage.
And a friend of mine who's within that was like,
"Yeah, they bring out this book once a year
in the Valetta Museum and it's detailing the skulls
of the hypergym and apparently tells a story
of how the locals would throw bodies down there
because there are beings down there
that they wanted to prevent from coming up to the surface."
And this is the strange thing,
is the hypergym is full of normal human bodies,
hundreds not buried with respect,
but just piled down there
and then also elongated skulls.
And the story is, according to this very ancient book,
that they bring out and put out once a year,
you have to be lucky to catch it.
It apparently describes that they were using this
as a place to discard bodies
to prevent these creatures from coming up
to the surface feeding them.
So when people would die, they would just throw them down that hole
or when people were bad people?
Maybe, yeah, yeah, throw them down that hole to it.
So these elongated skull things were eating people?
Well, that's the connections we might make
from that kind of connotation from these books,
but that's certainly something that's rolled out
in the Valetta Museum once a year
if you get to go there and see it.
So you know-- Is that like an ancient version of Scientology?
Somebody make all this up?
Dude, I don't know, but well, I mean, in terms of--
It's very strange that there's--
The hypogem itself is--
There are many human skeletons down there.
Oh, yeah, I mean, I did find a profound amount of them,
which is why the mainstream labels this as an acropolis,
but there's no burial respect being done.
It was just piles of bodies, like piles and bodies, dude.
And again, it's just so profound.
This is called the Oracle Room.
Yes, the Oracle Room.
Yeah.
This is where the sound concentrates.
The acoustic question I've found here, at least two paragraphs,
I guess it's going to be a little long, but it's not that long.
During testing, a deep male voice tuned
to these frequencies stimulated a resonance phenomenon
throughout the hypogem, creating bone-chilling effects.
It was reported that the sound's echoed for up to eight seconds.
Archaeologist Fernando Cumbria, or Cumbra Cumbra, Cumbra,
said that he felt the sound crossing his body at high speed,
leaving a sensation of relaxation.
When it was repeated, the sensation returned.
And he also had the illusion that the sound was reflected
from his body to the ancient red ochre paintings on the walls.
One can only imagine the experience in antiquity,
standing in what must have been somewhat odorous, dark,
and listening to ritual chant while low-light flickered
over the bones of one's departed loved ones.
Holy shit.
Yeah, dude.
[INAUDIBLE]
Might have felt like what drugs did to us.
Yeah.
So they made a drug house.
He goes on the state yet under right circumstances,
ancient populations were able to obtain different states
of consciousness without the use of drugs or chemical substance.
Or maybe in--
Yeah, yeah, yeah.
This is the Monro Institute of Applied Sciences
and Binaural Beats way, way before we were around.
This is the-- it's called psychoacoustic architecture.
The idea that ancient architecture
is designed in a way to propagate acoustics
that affect the human brain.
Now, imagine, this is 5,000 years ago.
And where did you walk from?
Oh, more than that, right.
How did you do that?
Did you fail?
Did you learn-- what's the science?
And another interesting--
How do you know?
Element is-- there are a lot of temple sites in Malta
that look weirdly similar to New Grange in Ireland.
And New Grange is another psychoacoustic temple.
If you want to call it a temple, it's a huge mound.
If you look it up.
But within it, they've done, again, acoustic studies,
and it propagates infrasound.
Sound below the threshold of human hearing.
And that's the stuff that reverberates
through your chest cavity, through your bone structure.
That's what that guy's describing.
It's infrasonic sound.
You know when you're like--
This is it?
Yeah, yeah, yeah.
And there's a--
How old is that?
Oh, again, neolithic.
I don't know the exact date, but it's neolithic.
And these spiral patterns are in the hypergym.
Those spiral patterns are in the hypergym.
In red ochre.
This is Ireland.
The same structure.
That's very famous Irish.
This, by the way, is incredible, because it's completely
singular.
There's no break in the line.
That's a very hard piece of geometry
to actually create at the time, as well.
It's extremely complex, because all of this feeds into itself.
There's no break in that line.
It's a very complex geometry.
But that same type of geometry is also found in the hypergym,
and it's found in red ochre, on the painting,
the swirling, the swirling kind of motifs.
So it's very interesting you have these weird correlations
between places that were separated by entire oceans
in neolithic time.
Do you think they're represent sound waves?
Yes.
Yeah, I think it's about the flow of acoustics,
the flow of movement and sound.
And that was perhaps their interpretation,
or perhaps their visual hallucination,
that gave them the idea of it being
this kind of swirling pattern.
But yeah, I find this--
Yeah, this is Ireland.
And there's just some striking similarities
between places like this and places in Malta.
So again, it just leads into the idea
that there was perhaps a globally maritime connected civilization
that was using these psychoacoustic attributions in sites
to produce novel effects of unconsciousness,
inducing brain hemispheres synchronization,
just like they're trying to do in my ass with the CIA.
And here's the real question.
How did they learn how to do that?
How did they learn how to do that?
And how long did it take before you figured out
how to carve that out of a mountain?
Yeah, exactly.
These are the questions that are absolutely not
being answered by our understanding of history.
These are the red ochre, the more rough ones,
are the ones in the hypergym, incredibly old.
Also, also a very good--
Yeah, everywhere.
Yeah, like it's not--
Is that other cultures have that as well, right, the spirals?
Yeah, yeah, that's what I mean.
So that right there is also in New Grainge in Ireland,
like pretty much the same.
Right, but not just those two places.
But there's some other places.
Yes, the swirling motif is one of the oldest.
I mean, it is one of the oldest.
You know, it's everywhere.
But the implication of it being about sound
is very interesting when you find it represented
in places that are absolutely acoustically tuned.
From prehistory.
Yeah, dude.
Like, you know, it's weird.
There's another one in Peru called Shavindehwanta,
which is a--
there's a temple built above it.
This is another thing that you find.
I mean, this one in Malta, they haven't done this.
But you do definitely seem to find layering, like Gunnan Padang
in Indonesia, where you have like the original structure
below, and people just piling up on top of it over time.
So in Shavindehwanta in Peru, you have this amazing temple site.
But below ground is a labyrinth of corridors
that also propagate acoustics to the point
where it brings up info sound.
So below this is an infrasonic laboratory, essentially,
of labyrinthian passages that we used for ritual acoustics.
And they actually found inside of this,
conch shells had been purposefully re-engineered
to produce a new harmonic when blown into them.
Like, they had actually changed them into a different site.
Oh, so they'd go in the acoustic chambers
and blow conch shells, and someone would obviously
be walking through this, perhaps as a form of right of passage.
Did you imagine going back in time, too, man?
I know, man.
I could really want to be in a fly on the wall.
I wish we could.
Yeah, so it's not incredibly profound stone masonry,
but it does produce infrasonic reverberation.
They have proven that and looked it up.
And yeah, the conch shells were found there
that have got all of these designs on them
and have been purposefully changed
to produce a different sound.
So there is a clear lineage of acoustic science
way before acoustic science was acoustic science,
at least to our terms.
So brings up big questions.
And the fact that it was influencing consciousness,
I think that we just had an incredibly intelligent
but shamanically orientated society at one point.
We were using our human ingenuity,
but we were using it to create effects more spiritually
aligned than anything else.
And these are all chambers for inducing
expanded states of consciousness.
The real question though is what technology
were they utilizing for the construction?
That's the real question, especially
when you get to the megalithic stuff.
Yeah.
What were they doing?
What is this?
Because this is not what we're saying it is.
There's no way this is stone tools.
There's no way this is copper.
This is something nutty.
Well, that's why the knobs are interesting.
Because it almost seems like the stone was being softened
and perhaps if you were pulling a spoon out of hot toffee,
you'd get that pullback, right?
You'd get a little kind of protrusion.
Would you want to smooth that down though?
They do. And then they don't.
That's what's really weird about it, especially in Peru.
Peru has so many stone knobs.
There's a place in Peru called the Corricancha,
which is like the main temple in Cusco, the Sun temple.
And these precision, there's various layers of architecture
in Peru, albeit it's all being attributed to the Inca,
which is weird, rough cut stonework,
then the weird megalithic kind of smoosh together stones.
Then you have what's called ashlar stonework,
which is where it's like a bunker.
If you look at the, it's spelled with a Q, Q-O-R-I-K-A-N-C-H-A,
Corricancha.
If you look it up, like, and looking, yeah,
so you have to go inside it really to really get this.
The bunkers inside of it, these--
look at the wall on the outside, actually, real quick,
before you do that.
If you click on one of these images and just enlarge it,
the first one's probably the best one.
Yeah, so that's ashlar stonework, that bottom bit.
That is original.
This was built by the conquistadors, right?
The rest of it's been built up by the conquistadors
from Spain, but this original stonework
is also represented inside with these incredible bunkers.
So if you type in like bunker, it's got--
yeah, like this image here, like, yeah.
The level of precision on these is absolutely phenomenal.
I mean, we're talking just complete, precise fitting stones,
not globular, like, sacks of woman, like marshmallows,
but just precise blocks.
Like, these bunkers here, yeah, like down here.
This is all of original work, and then they built a, you know,
Spanish inspired temple over the top of it.
So what you're asserting is that this was your first?
Yes, yeah, this stuff it was here first.
Like, this stuff was absolutely here first.
And if you look up, there's a little nub,
little stone nub right at the top there.
And some of these walls have like 10 nubs on them,
like one here, one here, one here, and then there's none.
So it's like they were smoothing out some of them,
leaving others.
Some have speculated that it's a form of language,
because in Peru, the Inca--
do you know what the Inca language was?
They're like written language, it was called Kippu.
And it wasn't written.
It was pieces of string with knots on them in different colors.
Oh, that was the historical language.
So it was literally like a line of different strings,
different lengths, different colors with little knots in them,
which corresponded to data.
And most of this was lost by the Spanish conquistadors,
they went over there and was like burn this shit,
burn this pagan nonsense.
Yeah, this was their language.
This was their language.
And it just made me wonder that obviously this is a complete guess.
But it just made me wonder if the stone nubs are stone Kippu.
Is it a stone version with all these different nubs
on different places and different areas?
Because it just feels like especially in the Codicania,
which is a temple, it's a regal temple.
Why would you leave the nubs on?
Like you said, why wouldn't they smooth these down?
So it's almost like it's meant to tell us something.
And they're left in very specific areas.
Then in Peru, you get stone nubs protruding straight out of bedrock.
That's what weirds me out.
Is that it's not just on the crafted stones,
but like a sheer rock face that's been obviously kind of quarried down
by some unknown technique without any chisel marks just straight.
And then you have like a group of nubs coming out of the stone.
So Peru is just full of contradictory architecture.
And I think the Spanish went over there
and they saw places like Saksawaman.
And they attributed it to the Inca.
They attributed the Inca, the Andean shaman say it's not the Inca.
The Inca themselves, to the Spanish conquisitor,
said we found these places.
But we take the words of the Spanish conquisitors
and we apply it to our knowledge set and we teach that.
And it's just like I was saying to you before,
we're basing so much of our history off of the word
of people from the 1800s.
When clearly, we're seeing contradictions of that,
even in, as Graham Hancock would certainly say,
the oral traditions of the local region,
the people are saying differently.
But we're listening to the foreigners who went over there
and destroyed things, burnt things, burnt the keeper
and went back and taught us what their civilisation
is all about.
It doesn't make any sense.
Wow.
But yeah, Peru's fascinating, dude.
Peru's one of the most interesting places I've ever been.
And has it had the same level of discovery of--
Not like Egypt?
No.
No, I mean, there are areas in Peru.
In fact, shout out to my friend, Raul Belecki,
from Pillars of the Past.
He's a guy who's out there in Peru, literally,
just going out into the middle of nowhere.
He's found pyramid sites in the middle of nowhere
that have absolutely zero recording, no excavation, no study,
no name, just they don't exist in the record.
But they're out there in the middle of nowhere, in Peru.
And so Peru has--
How many?
He found a pretty impressive complex, actually.
He found a pretty impressive complex.
He's got videos of it, like drone footage.
It's one of the places we could actually
still be a real explorer and find a place for the past.
If you want to go off into the Andean mountains,
he's finding stuff in the high up in the mountains
that nobody's documented, like nobody's seeing it.
He's a real adventure.
But it just proves that yeah, like you said,
there are still places like this where you can do discovery.
That's a mountain.
Yeah, yeah, yeah, Peru's--
That is really--
And then obviously, you have the Amazon rainforest.
All of the things that could be in there,
through Lidar, already seeing so much geometry, so much evidence
that there was a massive amount of civilization
going on in that jungle.
So this is getting very interesting to me.
And again, this weird climatological stability
through the last glacial maximums, the Younger Dryas,
this period of about 6,000 years
where they had access to development without being disturbed.
So you have these incredible anti-sysmic, anti-earthquake
megalithic structures in Peru using materials
that they shouldn't have been able to use,
using multi-ton stones.
That's an interesting area, although I will say
that it's made out of tough, which is volcanic rock very easy
to cut because it's actually compressed ash.
So that's a really cool place.
But it's not as mind-blowing in terms
of how they cut the rock because it's extremely soft rock.
But so this is doable.
This is doable.
This is doable.
But there are other things.
In fact, if we could--
could you go on my YouTube channel real quick?
This is an area in Saxo woman, which
has got-- there's a diorite outcrop, which
is an incredibly hard stone.
There's a measurement of hardness scale
that goes up to 10 with diamond being the hardest.
And diorite sits at about 6.5 to 7 out of 10,
whereas bronze sits at 3 to 3.5 out of 10.
So there's a discrepancy with the hardness of the material
to start with.
But--
Yeah.
Yes, if you go back to the beginning of it--
sorry, I wish I could see the screen.
It's going to be difficult, I think.
Keep it playing, though.
I'll talk about this, and it'll come up in a moment, I'm sure.
But all across Peru, you have these incredibly precise cuts
into bedrock with very little evidence
of any sort of chisel marks and no real understanding
of how they were able to excavate it.
These are credible, just void into the rock.
But there's one area in particular--
this is just the beginning of my video-- but there's one area
in particular in "Saxa Woman," which is this gigantic--
in fact, you could probably just type it in.
If you typed in "Saxa Woman" diorite steps--
Or something like that.
But--
I know, S-A-Q, S-A-Q, S-A-Y, "Saxa Woman," W-A-M-A-N.
Yeah, "Saxa Woman" diorite steps--
diorite spelt, sorry mate, diorite.
D-I-O-R-I-T-E.
It's all right, brother.
But I mean, I think we're actually getting--
I'm trying to listen while I'm typing, and it's--
No, I don't know, it's all right, dude.
But yeah, so yes, yes, that's the one.
So this is diorite, this is incredibly hard stone.
To give some context, the stones at "Saxa Woman"
are extremely impressive, but they are made of limestone,
a little bit softer, a bit more workable.
This is impossible.
If you can find a HD, I've got a 4K video of this.
Like, that's why I wanted to see it in that video.
But if you can find a HD image, it's
shined like a marble top.
Like, these are just precision cut
into this huge outcrop of diorite,
which they actually believe was a magma burst.
So a huge blob of magma came bursting out of the ground
and formed into this huge stone mound
that's adjacent to "Saxa Woman."
And you've got cuts like this, where it's just insanely
perfect.
And this is not possible with a Bronze Age toolkit.
This, to me, is actually more interesting in some ways
than "Saxa Woman" itself, because it's just
a complete contradiction of the Bronze Age tools.
You shouldn't be able to do that in diorite.
Yeah, it's wild.
I mean, how long did that take?
And it's smooth down to a point where it's shiny.
Like, what did they do?
And what's the purpose of it?
Why?
And there's always weird cuts.
There's all these weird little cuts into the stone like that.
And across Peru, you just find these voids
where it's just like a 90-degree cut into stone
with perfect finish and no sign of chiseling.
And the weird thing is the back is smooth too.
And the back is also smooth.
How did you get it out of there?
This is the thing, man.
I just find that so fascinating.
This is what really seems like there's
a lost technology.
Yeah.
These ancient people had figured something out.
They probably existed for thousands of years.
They're probably really advanced just in a different pipeline.
Yeah.
They went in a different highway.
I will say this, and I'm sure you'll be happy
that I'm bringing him up.
There is one guy out there who's trying his best
to prove how they were liquefying stone
and then bringing it back.
And I only know his ex-handle, which is Fau Mahon, like F-O-M-A-H-U-N.
I can't remember his actual name, but I've been talking to him.
I'm thinking of actually going out to visit him
and film him doing this.
But he's been demonstrating making teddy bear casts
of Rose granite and things like this.
And for a long time, he wasn't revealing how he was doing it.
So I kind of just was like, whatever dude.
I don't think that you're actually doing this.
But he's now actually revealed his secret ingredient,
which is slaked lime.
Like this slaked lime, which was very easy to make for them,
and water glass, which again is something that they could have made.
I don't know the signs behind this to be first.
So I'm just going to briefly say that I think he's got
some provocative ideas here, because he's actually adding
this water glass and slaked lime to mixed up compounds of granite
or limestone, crushed up granite, crushed up limestone,
adding the slaked lime, adding the water glass,
and then it's solidifying into solid granite within six hours.
What?
Yeah, and he's got like literal teddy bear casts
and different cookie cutter casts of solid granite.
And so there's a potential that is really simple,
but totally been overlooked.
It's just using the right compounds, the right components,
and the right stone mixture, again, how do they learn this?
But it's not definitive, but he's one of the only people
I've seen that's actually presented actual evidence
that could explain how they were doing this,
and it's relatively simply ingredients.
That would account for something.
Something?
Yes, but not everything.
The enormous--
OK, so this guy.
Yeah, so he's--
I think so, if you go up and make sure he's actually
the right person.
Yes, yes, there we go, Marcel.
It's really an idea to create artificial granite with nothing
as an additive to water glass, the ladder
being the glue between original granite grains, why?
Because I realize we need full transparency
in order to clearly see the original granite grains
like quartz.
We need a fake quartz as a binder.
Well, nothing did not work, because the outside layer
prevented the thing to get hard inside.
Oh, well, nothing did not work, I guess.
I don't know how you say that.
Yeah.
What we are seeing is made with a secret additive.
So let's call it almost nothing
that did not change transparency of the water glass,
but forced it to set from the inside.
So remember, this is the wannabe binder only
of artificial granite, not granite itself.
It's very interesting, and he's revealed
that it's slaked lime, the secret ingredient.
For a while, he wasn't saying what it is.
Now he said it's slaked lime.
So I'm not sure you're going to go out to--
he lives in Budapest.
Look at the guy that's a Budapest, and actually film him
doing this to see if he's right about this.
He's actually, I think, one of the originators
of the whole natron theory, which
I haven't dived too deep into, but it's one of the explanations
behind melting the stone.
So I started paying more attention to him
once I was in Peru, and he was messaging me,
saying, this is what I think is going on here,
is they were using these ingredients
to melt the stone well, to solidify crushed up stone
and create molds.
My issue--
Yeah.
One issue I do--
One issue of the stones, that seems like it'd be harder
than moving.
Maybe using harder rocks, like smash, smash.
But yeah, exactly, you need to--
I mean, how much stone smashing would you
need to do to create sacks of one mile, not all these areas?
80 tons of smashed--
Plus, plus, every single block is different.
You'd be talking about millions of molds.
Like if we were talking about molds here,
then every single block is completely different.
So you need an individual mold for each one.
So, yeah, compelling idea.
Does it answer it?
No.
Nothing ever seems to fully answer it.
But it's compelling that he's trying
to actually find a way to solidify the stone.
And it seems to be working.
Whether it explains all of it, I don't know.
But there's certainly a lot of people that will say that this
is the definitive explanation behind it.
I don't think that up.
But--
The thing is these--
It's compelling.
Amazing sites have in common is that they are so spectacular.
No one really has a logical explanation.
It's one of the coolest things about the most ancient of sites
is that it forces you to go, wait, wait, wait, wait, wait.
Given the best people, don't--
Defy his probability.
Yeah.
It defies probability.
It's truly, truly fascinating, man.
It was a national project.
So simple.
I get it now.
Yeah, I know, man.
That's the thing is like, you know,
it's outdated kind of dismissal of everyone
on the outside of the academic.
Yeah, gatekeeping.
You know, he wants to say he's not a gatekeeper.
He clearly is.
It's not yours, buddy.
Did you know he came through the Edgar Cayce Foundation?
Wonderful.
He did.
Zahioas originated in the Edgar Cayce Foundation.
So he got funded.
And weirdly enough, he was actually quite pro these ideas
until about the mid '90s.
So there's like a 1993 quote from him
at a university in Cairo where he was
saying something along the lines of,
there are tunnels underneath the sphinx
that lead down into greater structures.
And when we truly understand this,
we will understand the real builders of the pyramids.
That was the last time he said anything close to that.
Post 1993, about 1993 and '96.
But after that, complete polar opposite 90 degree change.
I wonder what happened to Zahioas.
Oh, who knows?
I don't understand why.
If you really want that place to get more money,
more tourism, more people interested in it,
say it's an atlantic infrastructure, right?
Well, I mean, just be open to all these people
that are like yourself and like Graham Hancock.
Why wouldn't you not be open to these people
and their ideas?
Like they're clearly very well versed.
Like Ben Van Kirkwick.
Yeah, he's brilliant.
He's incredible.
Fantastic, guys.
He's an encyclopedia of information about Egypt.
And why would you not want that guy exploring publicly
and also reaching millions of people, by the way?
Yes.
Why wouldn't you want that?
It doesn't make any sense.
I think there's like maybe like a bit of a cultural arrogance.
Like, who do you think you are, Westerner?
Coming over here and teaching us about our history.
I think there's a level of that, like, you know,
at least on a surface layer,
before you get into the deeper implications of, you know,
free mason, secret societies keeping things from us.
My true fear is that it's people just have this desire
to be the one in charge of stuff.
Right.
And the desire to be right.
They want to be blocked.
They want to be blocked.
They never want to be proven wrong.
And who's this guy?
Who's this podcaster who's coming on and telling me
what my country is, heritages?
And, you know, I think so.
But the problem with that is like, even mainstream archaeologists
are angry about it.
Right, right.
Well, everyone gangs together, you know,
they all gang together.
This group thing.
Well, it's also a lot of bitches in archaeology.
Yeah, I've noticed that.
Bitchy people.
I've noticed that.
It's such a bad look for the profession.
It really is.
Because immature, like snarky, shitty comments.
I know, like, aspersions of racism show up.
It's a really gross field in terms of like some of the humans
around it.
I came through the toxicity of the UFO community,
which is like so bad.
And, you know, I thought it would be.
Yeah, a lot of cougs, but also just a lot of bad actors
and hackers and people that want to, you know,
one thing on the UFO subject, actually,
which I do think is worth noting.
Because like I said to you, I think I'm one of the first people
that you've had on that had to actually make their way
through the social media interactions.
And one of the things that a lot of us noticed
and have to give credit to a couple of people,
like Red Panda Koala and Tupacabra on Twitter
to very good researchers that have been highlighting this
is that when the whole kind of 2017 narrative
and Lillolizando and Chris Mellon,
and all these guys started coming out.
Obviously, we were all extremely excited about it.
Over time, you know, there were some issues,
like some contradictions, Lillolizando,
especially as contradicted himself quite a lot.
And some of us started to get a little bit suspicious
of these people and just started asking questions.
It didn't take long for us to be targeted
by a pretty significant network online of people
that were trying to hack and dox us.
And people like, he doesn't put his actual name out there,
but people at Red Panda Koala was doxed online,
had his family house put out online,
photos of his underage sister put out online
by a group of individuals who are all very closely connected
to Lillolizando.
And this is something that you would not notice
outside of being in the minutiae of X,
because you would see these troll accounts,
these really nasty troll accounts
that were all being followed by Lillolizando.
And when they were having their accounts shut down
and reinstated, Lillolizando was one of the first people
following them.
Some people have actually come out
about this group now and revealed screenshots of DMs
where they're in private conversations
with people like Lillolizando and Gary
and some of these other guys who I got connected to early on,
very early on, I got some of the first interviews
of these people and was very pro at until I started realizing
that they were very much trying to control the narrative
and there were things you couldn't speak about,
can't talk about reverse engineering
or consciousness initiated contact.
Anything to do with Greer is completely poisonous.
Lillolizando was actually called Greer
and a couple of other people terrorists.
He said I wouldn't negotiate with terrorists
when asked about Stephen Greer.
But what people have dubbed this as is the UFO hate group.
It's very well known online, the UFO hate group
and it's a group of people that are so averagely in favor
of people like Lillolizando and this kind of modernized narrative
that if you even go half an inch,
like I really gained my accolades in the UFO community,
people really praising me for the interviews I was getting
until I started asking a few questions about people like Lillolizando
and suddenly I get an absolute maelstrom of hatred
from people that were once really enjoying my content.
And I'm quite lucky.
I haven't been targeted so heavily.
Some people have had their lives ruined by these people
who were all connected to individuals like Lillolizando
and Lillolizando actually said
that he came to burn UFOs you to the ground.
Like he actually said that in an article.
He was like, I wanna burn UFOs you, I wanna destroy it.
- When did you say that?
- Oh, it's like in like a few years back now.
- But why did you say it?
- What was the context?
- I think it was just about the way in which the UFO community
has been misrepresenting the phenomena
and like the confusing spaghetti junction of narratives
and he just kind of, I wanna-
- What if he actually put a hard reset?
- Doesn't that kind of actually make sense to say?
- Does he know things?
- Well, you don't think he knows things?
- What does he know?
- I don't know.
- Exactly, right?
They all know something, but none of them can tell us
and they all knew it from someone else
and someone else told them and they knew it
and they know this.
And like, dude, I was so in love with all of this.
You have to understand that I was truly, I was a believer.
I was like, this is amazing.
I had my orb experiences so I had a bias already.
I was like, I'm ready to believe in whatever you're saying.
It took me a while to start actually realizing
that this is not going in a direction.
I think it should be going in that there's a heavily curated
narrative and if you try and question the narrative,
you will be punished by group think.
It felt like, honestly, I started to feel like
I was in a COVID cult for ufology
where you just can't talk about Louis Luzando in a bad light.
Regardless of the fact that this man has gone on stage
and presented literal fake ufofotos to the public
which have been debunked in less than 24 hours
and he had to admit that they were fake because of the debunks
but people are just happy to forget these things happened.
He went up in a congressional setting
and held up a ufofoto that was proven to just be fields,
like agricultural fields.
Yes, this is a fake, that's not a shadow,
that's a darker field next to the lighter field.
These are two circles and this was proven.
He had to admit it.
This is in a congressional setting.
This man apparently ran the advanced aerospace
threat identification program, I call bullshit.
I don't believe you did because he seems like more
of a government stooge and he feels like someone
that would be sent out to do what he admits he was doing.
Counterintelligence, he's a counterintelligence counterterrorism,
counter espionage guy, not a ufofo guy,
I'm a counterterrorism counter espionage guy.
He's also one of the guys calling for amnesty, right?
Oh, how surprising.
Yeah, exactly, call him he shocked.
Yeah, no, he is, call him he shocked.
Does he say that because a lot of them do said,
I want to make sure that he actually said that.
I don't know.
I'll be perfectly honest with you Joe,
I haven't even fucking watched it
because I'm just not interested in that element
of the ufofo subject anymore.
I've been burned by these guys.
I've had Gary in all of the emailing me like,
why aren't you on the team anymore?
Why don't you be a team player?
It's like because you're literally telling me
that I can't tell my own fucking truth.
You're censoring me and saying that I'm not being a team player
just because I have questions.
Why are they censoring you about and when in particular?
Well, I was attempting to get you to stop talking about
specifically.
Primarily, there seems to have been a bit of an issue
with the way that I've been talking about Lou
and his association with A-Tip
because I think that A-Tip was actually a cutout.
It wasn't a real program and it was a cutout
that was actually created for To the Stars Academy.
And A-SAP, which was more of a pre-curse program,
wasn't being run by Lou Elizondo.
That's the advanced weapon application space
for a programmer.
I forgot the actual acronym now, A-SAP.
A-Tip is meant to be loose
and I just think that, well, I have to be careful
but a very prominent journalist in the UFO community
literally told me that Lou told him that this was all
created for To the Stars Academy as a way
to generate an understandable structure.
Here's this guy.
He's running A-Tip.
I have an issue with the idea that someone like Lou Elizondo
can go to the New York Times and say
that the Secretary of Defense wasn't being briefed
on UFOs and I'm the one that was running a program
when people like Julian Assange and Edward Snowden
are being thrown to the wolves
for just revealing standard national security issues.
This is meant to be even deeper, right?
It's a black, black budget.
This guy can just roll out to New York Times.
Seems a little bit planned.
Seems a little bit curated and forced.
So I started asking those questions
and especially when things like this were happening
where they were discrepancies,
where he's bringing up images that are being debunked.
'Cause like, who is this guy?
You know, who is this guy really?
And then his book comes out and he's talking
about being the torture czar in Guantanamo Bay
and the people there called him the Darth Vader
of the United States is in his book.
He admitted they'd called him the torture czar
of Guantanamo Bay, 'cause you know, he ran camp platinum
at Guantanamo Bay black sites.
He eye black sites.
- Whoa.
- Yeah.
So, you know, he actually had in his book
that he was known as the Darth Vader of the United States
by certain people and the torture czar of Guantanamo Bay.
I don't really trust people like this
who, you know, water-borded people for a living
and are now trying to tell me what's going on
in the UFO subject.
- Let's ask this question.
What purpose would there be to money the narrative?
If you wanted to have a government agent come out
and have what your claiming is like a fake disclosure,
like a government narrated disclosure,
what would be the purpose of that?
- What are they all asking for, Joe?
- Money.
- Amnesty.
- Amnesty.
- Amnesty.
And what was happening before that
is you had someone like Stephen Greer
just saying these people need to go to jail.
And that was the only big voice in the UFO community.
- Maybe they're offering a window to possible disclosure though.
- Maybe.
- We give them this fucking amnesty.
If we don't, what happens?
Nothing.
It keeps going the same way it's been going.
There's no actual disclosure.
We keep talking about it.
It gets nuts.
It gets to the point where it's driving you crazy.
Like I don't even want to hear about any fucking UFOs.
Please show me one.
But if it's a real subject
and the only thing that's keeping us
from learning this real subject is that.
And so they're trying to push out this narrative of amnesty.
I'll bite.
What are we talking about?
- I think for me, again, coming up through it
and just seeing how these people actually act
when you challenge them.
And the fact that there were absolutely organized groups
of quite frankly, quite mentally unstable people
that were very easily misled
into believing they're important.
- Right.
- Who were getting brought into these signal chats,
these private group chats.
And you know, I'm in touch with Lulazondo.
I'm one of those guys I've been brought in.
And you know, they tried to be useful.
- Yeah.
- Useful idiot.
And like there's a lot of them.
And you know, there's a few people out there
that were extremely dark individuals.
I were talking like, you know, connected to all sorts
of weird satanism groups and lose just that of selfies.
Like hanging out with these guys.
Like he's a dodgy dude.
I don't care.
He's like, you know, I'm freaked out
even saying this on the Jorugan.
He's like, he's gonna remove you my brain or something.
But at the same time, he is a dodgy guy.
- But he's shady.
- But you do believe in the existence of these things.
- Dude, I've had all of us hover over my house.
- Right.
- Yeah.
- What I think is that there is a clear decision
somewhere in our government to muddy the water
and to put out this narrative that these whistleblowers
are trying to tell everybody.
So to slowly trickle this stuff out there.
And then float out amnesty,
which is a big part of the age disclosure documentary.
Really the first time.
- Exactly.
- I've ever heard anybody like where everyone
uniformly talks about that one particular subject.
- Yeah, like I think that that's the goal
is to create a curated soft disclosure
that does the very best to paint the government
in the best possible light and allows them to actually
kind of not face too much punishment
for what's been going on in the legacy programs again.
If you only had someone like Stephen Greer out there,
he was offering a completely different thing.
We need to punish these people.
Like they are cruel.
They've ruined humanity for a hundred years
of stagnating technological progress.
- You got a little bit of a testy.
- A little testy with that.
Should have taken a little softer tone.
(both laughing)
- Sorry.
- Now I'm saying with him, maybe if he did that,
maybe they would have--
- Yeah, right.
- That's so defensive.
Like a fucked and want to lock us up.
- Yeah, but that's it.
That's why you--
- As soon as you say you're going to lock someone up
for what they did, they're going to say, I didn't do anything.
- Yeah.
- And they're going to keep saying that.
- But that's why they got rid of him.
- Yeah.
- That's why they got rid of him.
That's why Gary Nolan, who was originally with Greer,
then changed over to two stars Academy.
And they poached quite a few people from his team
and brought him over to TTSA.
And he became a pariah.
You know, again, he says a lot of things
that quite frankly I don't agree with.
But I just think that basically they tried to overtake
the narrative and they needed government representatives
to run this.
And I just again--
- Now they do everything.
Why would we be shocked that they do it
about something this important?
- Well, exactly.
- Especially if there is line to Congress,
the misappropriation of funds,
and for sure some fraud, for sure.
- If you're talking about a shit ton of money.
- One thing that does interest me though
is the ARV, the Alien Reproduction Vehicle,
the flux liner.
Have you heard of this?
You know about Mark McCandlish
and the Alien Reproduction Vehicle?
- Oh.
- Oh, that's amazing.
If you type in ARV flux liner,
you'll get this image right away.
This is one of the avenues that I would actually
pay attention to and think, okay,
I think something's going on here.
Mark McCandlish was an aerospace illustrator
for the US Air Force.
That's the, yep, so the actual--
- Oh, I have seen this.
- Yeah, of course you have.
It's very classic.
And that one that's blue with the writing all over it,
that's what was held up at the 2001 National Press Conference
organized by Dr. Stephen Greer.
Again, like, you know, this isn't you.
Like, to be fair to Dr. Greer,
he brought like over 50 witnesses on live television
during the National Press Conference
and one of them was Mark McCandlish,
a military illustrator who drew this sketch.
- Friend of mine has a version of this
framed in his house.
- So do I.
- I know to get one.
We need to get one for the studio.
- You can literally get one on Etsy
for like 100 bucks.
- That's fucking good.
- That's a big one on Etsy.
But so this is important.
Mark McCandlish, he actually ended up taking his own life.
- Go that back to that again.
- Yeah, what about it?
- I want to read the heading.
It says, according to this documentary,
we had the technology for faster and light travel
and zero-point energy for a very long time.
Let's pretend this is true.
How do we know the UAPs we sent aren't ours
and more modern built?
- The person who made this documentary died
of an aggressive form of cancer,
not long after making it.
It was quite a young man as well.
Documentary filmmaker who made this.
But Mark McCandlish, military illustrator,
he had a friend called Brad Sorensen.
A Brad Sorensen was a government guy,
aerospace engineer, Lockheed Martin,
had quite an extensive portfolio.
And Brad Sorensen goes to his body one day,
Mark McCandlish, and he says,
"I was showing something and I want you to draw it.
I'm going to describe it to you in great detail
and I want you to create the illustration."
Brad Sorensen says that I think he was in the '70s
or late '60s or early '70s,
that he was invited to a private air show at Lockheed Martin
by an individual who was a good friend of his
in the military who was higher up than him.
And apparently he didn't have the,
what they call the tickets,
the right classifications to actually get access
to this private air show, but his friend brought him
because he had the tickets.
And essentially they bring him into a hangar in Lockheed Martin
where three large sources of varying size
were hovering a few feet off of the ground.
They were described as instantaneous
nuclear payload delivery systems.
That's the way that they were actually classifying them
and had a nickname for a most instantaneous
nuclear payload delivery systems.
The idea that you could just instantaneously deliver
a nuclear payload to anywhere in the world.
- Oh my God.
- Yeah, which is again one of the reasons
why they might keep this stuff secret.
The ships were nicknamed Mama Bear Baby Bear
and Papa Bear.
- Oh my God.
- Yeah, what's really interesting about this
is that Brad Sorensen has never gone public.
But I was in the room when he was phoned
and I've heard him say things
that have never been on the record before.
No one's ever contacted Brad Sorensen.
Mark McCandlish took his own life a number of years ago.
His closest friends would say that that was not anything
untoward, it's hard to know.
I didn't know the man.
All I know is this is the man that produced
an incredibly profound illustration
and then eventually took his own life.
But his friend Brad Sorensen has never gone public ever, never.
I have got quite a few contacts now
because of my research and affiliations
that have managed to gain with people in the US Navy
and Intel and a good friend of mine
who was able to actually find his number
and get in touch with Brad Sorensen.
I was present when he was phoned
and my friend introduces himself to him
and he'd never spoken to him before.
And they were just talking shop, first of all.
He said that he wanted to reach out to him
'cause he'd heard about him through various stories online.
But anyway, to cut the long story short,
he asked him, my friend asked him,
about Mark McCandlish and this alien reproduction vehicle
on Brad Sorensen, went off on quite a dire try,
but actually very angry about Mark
and how he said that I gave this man the keys to the kingdom
and he went out and told the whole fucking world.
And I will never do that because my employers will fry me.
He said they will fucking fry me if I speak out about this.
But I am capable of building and designing an aircraft
that can go 210 times the speed of light.
Yeah, he reiterated that multiple times.
- What?
- Yeah, I am.
- What year was this?
- I've sat on this for a couple of years.
It's about two years ago that my friend found him.
- Yeah, instantaneous.
- Instantaneous.
- Nuclear payload delivery.
- Yeah, yeah.
I mean, you can imagine that's how the national security system
would actually look at this.
No, it doesn't explore a tree vessel, but let's be honest.
What is this?
It's a payload delivery system that's instantaneous.
Let's be honest.
That's what they would look at us, right?
Another reason to keep it secret probably.
But that was, you know, I would love to get him on record.
I don't know if you ever will, Brad, if you're listening
to this, I would like to get you on record.
But he said that he said that he can design a craft
that goes 210 times a speed of light.
And this is the guy that gave my mechanical illustrations
to create that ARV, so it's weird.
(laughing)
- I mean, it's weird.
This is the real question.
What would civilization be like?
Had this stuff not been kept secret?
- Right.
- What if we had access to that kind of energy,
whatever that thing is operating on?
- Could you imagine if you had access to that energy
and you're watching all these idiots burn coal?
- I know.
- What are you doing?
- But you can't say anything?
- Yeah.
- 'Cause you know.
- I know.
- I would, I would do a delivery system.
- I'd hate to be these people.
- I'd hate to be these people.
- It's crazy.
- Imagine sitting there knowing that we have access
to these kind of technologies.
- Also like this desire to tell people something
that's really important in humanity.
They can't all be complete sociopaths.
- But maybe they do.
Like they screen them for that reason.
You know what I mean?
Like they have to be a certain personality type
and give a fuck about humanity.
- I think honestly, I think at highest levels
of these, especially these military corporations,
I think you just have to become that anyway.
- Yeah, by force of nature.
- Yeah.
- We're gonna kill 100,000 people today.
- Yeah, exactly.
I mean, how emotionally attached can you possibly be
in that kind of task-oriented position?
So, you know, the ARV is a provocative one for me.
And to be honest, man, I think a lot of this,
I mean, it's called the ARV, the Alien Reproduction Vehicle.
And maybe we have had alien crashed vehicles,
but I'm more tempted to believe
that Nicola Tesla's work was taken by the US government.
John G. Trump, Trump's uncle from MIT,
was the one that actually oversaw all of that, you know that?
- Yeah.
- Yeah, he actually looked at all that.
You know, he found a correspondence
between Nicola Tesla and British and Russian royalty,
like the high top levels of Britain, Russian royalty,
about them acquiring a super-weapon of incredible power.
(laughing)
- There's a video I actually posted on X of John G. Trump,
a vintage video of him talking about coming across
these correspondent letters that he'd never found
the true method of the secret weapon or what it was,
but there was correspondence between the king
and Russian Azaz about acquiring it from Nicola Tesla.
So, I think that they took things from Tesla.
His electromagnetism studies, I think people
at T-Towns and Brown, you know, these original ideas
of being able to use field induction
to create positive lift.
This is something that was being looked at by humans.
You don't need to invoke flying saucers crashing
from alpha-centuary for that, maybe it happened,
but I would be more on the line that we've done it ourselves.
We've done it ourselves.
- At least some of it.
- Yeah, some of it, the Cold War happened.
Cold War paranoia, and we've never got rid of it.
All the iron walls came up around that,
and it's a case of how do we kind of get rid
of all this legacy program, you know,
stoving and stove piping because of Cold War paranoia.
It's too late now, because we're in 2025,
and you've got to try and tell us that you've got
zero-point energy, you know, we've been flying around
and fucking right-brothers planes for 100 years and shit.
Like, you kidding me?
It's not gonna go down well.
So amnesty, right?
- Yeah.
- Amnesty.
- Fuck, it might be the only way.
- It might be the only way.
And if it is the only way, that's fine.
But like I said, I do have--
- Obviously, it sucks that they're not gonna get punished
for crimes, but so what?
- At least we are not being punished
by being withheld.
- Exactly, but--
- Information being withheld that I think would change
the course of humanity in probably a fantastic way.
- But I do feel like the world would have to become
a more heavily controlled place for these types
of technologies that come out.
Do you know what I mean?
- I'm trying to wrap this up on a high note.
- Digital ID coming up.
- Well, that's all I'm saying.
Like, you know, the control structures around something
like free energy would have to be quite profound
because of the things we were talking about,
some psycho with a ZPE device.
- Exactly.
- So, like, would just happen in Bondi Beach, Australia.
Imagine if you have access to that.
If everybody has access to that, especially off the internet,
you figure out how to design one.
It's not that hard.
- The world will have to become a more restrictive place
for these things to come.
- I don't think so, but I don't think so.
- Now people are going to think you're a fed.
- People are saying that.
- Listen, man, I really enjoy this conversation.
It was a lot fun.
- It's been really good.
- And your content is excellent.
- Thank you so much.
- So please tell everybody how they can watch more of your stuff.
- Yeah, I've got a terrible business acumen.
So I just have two channels.
Project Unity on YouTube and the Project Unity on X.
And if you want to follow me and subscribe.
- I think that's a good model.
- Quality stuff and it's building and following
just literally based on being good for real.
- Thank you brother.
- Appreciate you so much, dude.
- All right, we'll do it again.
- Yes. - Goodbye everybody.
- Bye-bye.
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