To close the first session of this year’s BoF VOICES on The Wider World, we wanted a voice that could cut through the noise and offer a clear, powerful call to action for human unity at a time when everything feels like it's breaking down. Few artists are better positioned to do that than Riz Ahm...
To close the first session of this year’s BoF VOICES on The Wider World, we wanted a voice that could cut through the noise and offer a clear, powerful call to action for human unity at a time when everything feels like it's breaking down. Few artists are better positioned to do that than Riz Ahmed.
An Oscar and Emmy-winning actor, producer and musician, Riz has built a career at the intersection of culture, politics and humanity — from Sound of Metal to The Night Of, and through music and activism that challenge how stories are told, and who gets to tell them.
Drawing on his upcoming adaptation of Hamlet, set in contemporary London, he argues that one of the most famous speeches in history — “to be or not to be” — has been misunderstood, de-radicalised and stripped of its original power. For Riz, Hamlet is not about despair or inaction. It’s about resistance, moral reckoning, and the fear that stops us from standing up when injustice feels overwhelming.
This is a talk about grief, complicity and courage. About why stories endure. And about what it means to take responsibility — even when the cost feels high.
Key Insights:
- Ahead of the theatrical release of the Ahmed-produced 2025 film “Hamlet” — its first cinematic adaptation starring a person of colour — the actor argues that the play’s famous soliloquy is not about suicide, but rather about summoning the courage to defy injustice. “‘To be or not to be’ is about resistance. The most famous lines ever written by a human being have been defanged, deradicalised. It’s about fighting back against oppression,” he says..
- The monologue, he argues, illustrates the importance of storytelling during a time when dominant cultural narratives attempt to divide people and to emphasise the illusion of in-groups and out-groups. “In the same way that we need to rediscover the radical truth of this speech, I believe we need to rediscover the radical purpose and truth at the heart of storytelling,” he says. “Storytelling has been lost to content and distraction and entertainment, but at its heart when it works best, it is reminding us of a very profound and very radical spiritual truth, which is that we are one.”
- Ahmed concludes that what people gain in achieving their purpose as storytellers — to believe in their shared humanity — is invaluable, despite the personal losses that may be incurred by doing so. “Honestly the things that we are afraid of, the things that we stand to lose were never really ours. We will lose them, but what we stand to gain when we step into our purpose is something so profound,” he says.“What does it mean to rediscover our radical purpose as storytellers, insisting on our oneness in a time when people might try and divide us?”
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